Shakespearean re-tellings for younger audiences through the eyes of supporting characters.
Edinburgh for the Fringe first-timer.
The operatic deus ex machina.
On textual knuckles and creating an immersive world.
Making translation sexy.
Beginning to create a piece of theatre out of OCD.
Dance and incarceration.
Pinter’s portrayal of torture re-examined in a post-9/11 world.
The Theatre of Carlo Goldoni.
On Landguard Point and notions of ‘home.’
Exploring the role of this often controversial creature through a changing cultural landscape.
The summing up.
Bringing texts to life on stage.
Strolling the festival thoroughfare.
A genial journey through twentieth-century comedy.