Diana Damian Martin writes on how Porto’s international theatre festival FITEI explores ideas of community, memory, and the past.
Features
27 July 2017
Features
Critic’s Camp
By Laura Kressley
Laura Kressly writes about her fortnight at the Eugene O’Neill Theater Center’s development programme for critics.
24 July 2017
Features
Latitude Festival: Playing Ourselves
By Jackie Montague
Jackie Montague explores what three performances at Latitude say about how we relate to our heroes, our homes, and our own identities.
21 July 2017
Features
Avignon Festival: On Failure and Responsibility
By Ella Parry-Davies
“Rater encore. Rater mieux”. Ella Parry-Davies explores how performances at 2017’s Avignon Festival make bold attempts to navigate contemporary politics.
18 July 2017
Features
Not my cup of tea
By Lauren Mooney
Tea House Theatre sparked a Twitter storm after its job listing went viral. Here’s Lauren Mooney on its unpalatable message about undervalued, often female labour in the arts.
17 July 2017
Features
Touch at the Soho Theatre
By Rosemary Waugh
Bad sex, jiggly bits, and twenty-something omnishambles: Rosemary Waugh and Gillian Greer conduct an email chat about Touch and young women’s sexuality on stage.
14 July 2017
Features
Hot Brown Honey: “We will spark the revolutionary flame”
By Bridget Minamore
Bridget Minamore interviews the genre-defying troupe of Australian women of colour.
11 July 2017
Features
The Welcoming Party
By Aniqah Choudhri
Part of MIF, Theatre-Rites’s new family show uses a cast that includes refugees to explore being different. Aniqah Choudhri speaks to Sue Buckmaster about the complexity behind its storytelling.
6 July 2017
Features
Why LGBT Theatre Needs to Start Telling New Stories
By Alice Saville
As LGBT Pride approaches, Alice Saville asks why London’s glut of queer theatre is looking to the past, not the future.
3 July 2017
Features
An Octoroon
By Salome Wagaine
“I am still grappling with finding a work so dispiriting when it’s been so widely loved” – Salome Wagaine on Branden Jacobs-Jenkins’ reimagining of a historical slave narrative.
27 June 2017
Features
A Sneak Preview of Exeunt’s New Zine
By Exeunt Staff
A first look at Exeunt’s second zine, Rites of Spring, plus info on how to get a copy.
22 June 2017
Features
Art with Heart
By Maddy Costa
How can theatre accommodate neurodiversity? Maddy Costa explores how Art with Heart’s touring show ‘Declaration’ remagines relationships between artist, venue and audience.
20 June 2017
Features
The Myth of Acceptable Oil Sponsorship
By Jess Worth
The RSC are accepting BP sponsorship – while staging a play about the disastrous impact of climate change. Here’s Jess Worth on the campaign to make the RSC Fossil Free.
19 June 2017
Features
Farewell (for now) Forest Fringe
By Alice Saville
Following Forest Fringe’s announcement that they will no longer be running their free Edinburgh Fringe venue, Alice Saville remembers the invaluable spaces they created.
16 June 2017
Features
Slow Theatre
By Alice Saville
Amy Draper’s ‘These Trees are Made of Blood’ took years to move from initial seed of an idea to a full production. Here, she writes on why ideas need time to germinate.