Rufus, Rupert, Edward… take note. Exeunt’s writers have compiled a list of just some of the many great female playwrights that London’s theatres should be staging.
This week, there’s an outpouring of new work on trans experiences. But with the same people in charge, is change really in the air?
The door slams. What next? Loren Noveck explores how three New York playwrights are reimagining Ibsen’s feminist classic.
A week after the end of the Edinburgh Fringe, Alice Saville trudges through its debris to explore what the festival leaves behind.
“Mama said you have to share”: Joakim and Katarina (aged 3.5 and 1.5) present a joint review of their festival experience.
As the feverish final days of the Edinburgh Fringe approach, here’s Exeunt’s writers on what you should see.
From loneliness to solidarity: the artist Selina Thompson reflects on her experiences at this year’s Edinburgh Fringe.
A deliberate toying with dance concepts and histories: Diana Damian Martin discusses the Barbican’s Trajal Harrell performance exhibition.
New York collaborative theatre heroes The TEAM are staging ‘Primer for a Failed Superpower’, a multi-generational pop concert of protest songs. Nicole Serratore sits in on rehearsals.
Figs in Wigs are back at the fringe this week. Here’s Rachel Porter on why being part of a non-hierarchical girl gang is the perfect way to survive Edinburgh.
As the dust settles after Edinburgh Fringe’s first week, here’s what Exeunt’s writers have seen and loved.
From samba-inspired workshops to dancing naked: Rachel Elderkin reviews a selection of the dance line up at Wilderness 2017.
Dance in the age of climate change: Diana Damian Martin discusses this year’s Ravnedans festival in Norway.
A performative preview: the members of Barrel Organ explore debt, friendship and grief ahead of their Edinburgh Fringe show.
Miriam Gillinson discovers some intriguing beginnings at The Yard’s festival of bold, untested new work.