A broad brush: Louise Jones finds this adaptation of Jane Austen’s novel yields uneven results.
‘Joy in solidarity’: Louise Jones writes on Phoenix Dance Theatre’s celebration of the human stories of the Windrush generation.
Louise Jones submits her examination paper for Jonathan Lewis’ play. (And promises she didn’t cheat.)
Chrysalis-like: Louise Jones reviews Natasha Marshall’s semi-autobiographical solo show
Like stumbling over poetry written as a lovelorn teen: Louise Jones reviews Metta Theatre’s adaptation of the underwater fairytale
Rituals of remembrance: Argentinian artist Lola Arias’ exploration of the Falklands War comes to York.
A brilliant tongue in cheek look at the life of a woman in the 1800s: Louise Jones reviews Sara Pascoe’s version of Jane Austen.
Lively, non-stop and irreverent: Louise Jones reviews the HandleBards high energy take on As You Like It.
A wealth of variety and charm: Louise Jones review On the Wire’s From Shore to Shore.
Our lady in York (Louise Jones) reviews Our Man in Havana – in text messages.
Purposeful, stylish and clearly defined: Adam Bruce falls in love with Deborah McAndrew’s adaptation of Anne Brontë 1848 novel.
Keeping heads above water: Louise Jones reviews Sandi Toksvig’s play about care home residents trying to escape a flood.
Don’t be put off by the doilies: Louise Jones reviews Philip Meeks’ play about Agatha Christie and Margaret Rutherford.
A satisfying sense of dissatisfaction: Louise Jones reviews Box of Tricks’ production of Narvik.
A genuine, organic sense of energy: Adam Bruce finds Sunny Afternoon to be more than your average jukebox musical.