Wildean wantonness: Christopher Luscombe’s resplendent revival is luscious but loud.
“If Wesley Snipes did Shakespeare…”: Geoff Mills reviews Angus Jackson’s production of Coriolanus, the final instalment in the RSC’s up-and-down Rome season.
Never quite sets on fire: Geoff Mills reviews the Royal Shakespeare Company’s performance of Christopher Marlowe.
I thought you used to teach postmodernism? Geoff Mills provides the second instalment in his Stratford-upon-Avon play/reviews.
Horror and humour: Geoff Mills reviews Blanche McIntyre’s contemporary version of Titus Andronicus.
Oil starts to drip from the ceiling… Geoff Mills writes a short play in response to the Mischief Festival double bill.
Shakespeare done like it was before the Boer War: Fergus Morgan reviews Iqbal Khan’s Antony and Cleopatra.
Meh. Fergus Morgan is unimpressed by the RSC’s new production of Julius Caesar.
Spray-painted skulls in the palace: Paapa Essiedu’s superb portrayal of a precocious Prince of Denmark.
From an arachnid-looking Covetousness to a wonderfully barmy Wrath and on to a twerkingly sequinned Lechery…Ed Clark reviews Maria Aberg’s production.
The father of the atomic bomb.
Strong in mischief.
A paean to privilege.
An exceptionally brutal hunt.
A well-painted picture.