All the colours of the rainbow: Rosemary Waugh reviews Tamara Harvey’s visually beautiful production of Uncle Vanya.
Thatcher’s children: Catherine Love reviews a stage adaptation of Bernard Hare’s Urban Grimshaw and the Shed Crew.
“It’s impossible not to be drawn into the atmosphere”: John Murphy reviews Sam Yates’ revival of Eugene O’Neill’s classic tragedy at Sheffield’s Crucible Theatre.
Remarkably fresh, depressingly relevant: Tracey Sinclair sees the contemporary parallels in Gore Vidal’s 1960 political thriller about a hard-fought race for The White House.
“If Wesley Snipes did Shakespeare…”: Geoff Mills reviews Angus Jackson’s production of Coriolanus, the final instalment in the RSC’s up-and-down Rome season.
Never quite sets on fire: Geoff Mills reviews the Royal Shakespeare Company’s performance of Christopher Marlowe.
‘We have to stumble along the way and admit to our mistakes’: Catherine Love reviews Testament’s show about feminism and becoming a father.
Chris McCormack reviews an “excellent and beguiling new play” about living with autism in contemporary Ireland.
Thornton Wilder’s 1938 play is a “giddily expansive” exploration of community and the passing of time.
Forget heteronormativity: Sara Pascoe’s hilarious reimagined Jane Austen romance breaks all the rules.
I thought you used to teach postmodernism? Geoff Mills provides the second instalment in his Stratford-upon-Avon play/reviews.
Sing it loud: Chris McCormack reviews a new children’s show about revolution as part of the Dublin Fringe 2017.
Somewhere between a performance installation and a tribute to Phoenix Nights: Matt Miller reviews Newcastle’s newest night of performance art.
Catherine Love reviews Daniel Bye’s new show about the “complex mix of complicity, complacency, fear and the desire to do something.”
Roosting on Dublin’s docklands, this featherlight circus spectacle explores a place in collapse.