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National


Review: DADDERS at Dance International Glasgow
27 October 2019
Reviews • Glasgow • National

Review: DADDERS at Dance International Glasgow

22 October, then touring
By Andrew Edwards

Welcome to the Meadowdrome: Andrew Edwards writes on Frauke Requardt and Daniel Oliver’s participatory show about neurodivergence and family-building.


Review: Nuclear Future at North Wall, Oxford
26 October 2019
Reviews • National • Oxford

Review: Nuclear Future at North Wall, Oxford

23rd October, then touring
By Hannah Greenstreet

‘Contemplating the unthinkable’: Hannah Greenstreet writes on the macro and the micro in Gameshow’s play about dealing with existential threat.


Review: There Are No Beginnings at Leeds Playhouse
20 October 2019
Reviews • Leeds • National

Review: There Are No Beginnings at Leeds Playhouse

16 October - 2 November
By John Murphy

A shadow over town: John Murphy reviews Charley Miles’ feminist-lensed play about the fear bred by the Yorkshire Ripper murders.


Review: Crowd at Dance International Glasgow
20 October 2019
Reviews • Glasgow • National

Review: Crowd at Dance International Glasgow

16 October
By Andrew Edwards

Rave speed 0.25: Andrew Edwards writes on French choreographer Gisèle Vienne’s slow motion, dirt-smeared party.


Review: Isolation at Alphabetti Theatre, Newcastle
17 October 2019
Reviews • National • Newcastle

Review: Isolation at Alphabetti Theatre, Newcastle

15-18 October
By Tracey Sinclair

Disruptive behaviour: Tracey Sinclair writes on Elijah Young’s ‘vinegar-sharp’ piece about teenagers in a daytime detention class.


Review: GRIN at Dance International Glasgow
14 October 2019
Reviews • Glasgow • National

Review: GRIN at Dance International Glasgow

11-12 October
By Andrew Edwards

‘Dances for those who dance them’: Andy Edwards on V/DA’s survey of Afro-Caribbean dance and its radical ‘strategy of refusal’.


Review: Extraordinary Wall [of Silence] at Bristol Old Vic
14 October 2019
Reviews • Bristol • National

Review: Extraordinary Wall [of Silence] at Bristol Old Vic

5-19 October, then touring
By Lilith Wozniak

Resistance and solidarity: Lilith Wonziak reviews Theatre Ad Infinitum’s latest show exploring the challenges and prejudice faced by the Deaf community.


Review: Bluebeard at Alphabetti Theatre, Newcastle
10 October 2019
Reviews • National • Newcastle

Review: Bluebeard at Alphabetti Theatre, Newcastle

8-12 October
By Tracey Sinclair

High life: Tracey Sinclair reviews Camasido Club’s ‘glitter-soaked morality tale’ about powerful men and the commodification of youth.


Review: Wasteland at Northern Stage, Newcastle
27 September 2019
Reviews • National • Newcastle

Review: Wasteland at Northern Stage, Newcastle

25-26 September, then touring
By Tracey Sinclair

‘Illicit excitement’: Tracey Sinclair on post-industrial working class disenfranchisement in Gary Clarke’s contemporary dance take on the 90’s rave scene.


Review: On Bear Ridge at Sherman Theatre, Cardiff
27 September 2019
Reviews • Cardiff • National

Review: On Bear Ridge at Sherman Theatre, Cardiff

20 September - 5 October, then touring
By Lilith Wozniak

‘Cautious kindness’: Lilith Wozniak on the gentle hope of Ed Thomas’s rural, Beckettian play.


Review: Rebel Music at Birmingham REP
27 September 2019
Reviews • Birmingham • National

Review: Rebel Music at Birmingham REP

19 September - 5 October
By Naomi Obeng

‘Why and when did the other side stop Rocking Against?’: Naomi Obeng on music and activism in Middle Child’s new show about the Rock Against Racism movement.


Review: Macbeth at Royal Exchange Theatre, Manchester
25 September 2019
Reviews • Manchester • National

Review: Macbeth at Royal Exchange Theatre, Manchester

13 September - 19 October
By Aniqah Choudhri

Ancient and modern: Aniqah Choudhri reviews Christopher Haydon’s sleek production starring Lucy Ellinson as the murderous general.


Review: Hedda Tesman at Chichester Festival Theatre
24 September 2019
Reviews • Chichester • National

Review: Hedda Tesman at Chichester Festival Theatre

30 August-28 September, then touring
By Eve Allin

‘Hedda will always be painful’: Eve Allin writes on Cordelia Lynn’s Ibsen update, and the difficulty of re-writing a trapped character.


Review: This is not a wedding at York Theatre Royal
22 September 2019
Reviews • National • York

Review: This is not a wedding at York Theatre Royal

17-18 September, then touring
By Louise Jones

Unholy matrimony: Louise Jones reviews Gracefool Collective’s unruly deconstruction of wedding traditions.


Review: An Enemy of the People at Nottingham Playhouse
20 September 2019
Reviews • National • Nottingham

Review: An Enemy of the People at Nottingham Playhouse

13-28 September
By Emily Holyoake

Polluted truths: Emily Holyoake writes on post-truth politics and cross-gender casting in Rebecca Lenkiewicz’s Ibsen update.


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