Exeunt
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

exeunt


magazine
  • Reviews
    • London Theatre
    • National
    • Performance
    • Dance
    • Opera
  • Features
    • Q&A and Interviews
    • Essays
    • Opinion
    • Artist-in-Residence
    • Critical Futures
    • Books
  • Performance
  • New York City
  • Podcasts
  • About Exeunt
    • Staff & Contributors
    • Contact Us

National


Review: The Duchess of Malfi (online)
18 March 2021
Reviews • Oxford

Review: The Duchess of Malfi (online)

By Amy Borsuk

Murder most foul: Amy Borsuk reviews Creation Theatre’s Zoom production of John Webster’s revenge tragedy, which successfully walks a tightrope between camp and gore.


Review: The Picture of Dorian Gray (online)
18 March 2021
Reviews • National

Review: The Picture of Dorian Gray (online)

16-31 March
By Naomi Obeng

Black mirror, black mirror on the wall…: Naomi Obeng reviews a star-laden adaptation of Oscar Wilde’s novel, transposed to the perilous world of social media.


Review: The Great Gatsby at Wardrobe Theatre, Bristol (online)
6 March 2021
Reviews • Bristol • National

Review: The Great Gatsby at Wardrobe Theatre, Bristol (online)

1-31 March
By Lilith Wozniak

The roaring 2020s: Lilith Wozniak reviews The Wardrobe Ensemble’s inventive filmed adaptation of the F. Scott Fitzgerald classic.


Review: Earwig at Tron Theatre, Glasgow (online)
12 February 2021
Reviews • Glasgow • National

Review: Earwig at Tron Theatre, Glasgow (online)

27 January - 10 March
By Tracey Sinclair

Theatre for the cochlea: Tracey Sinclair reviews a varied set of audio-plays produced by sound designer Danny Krass.


Review: Swimming Home at The Lowry, Salford (online)
11 February 2021
Reviews • National • Salford

Review: Swimming Home at The Lowry, Salford (online)

5-20 February, then touring
By James Varney

Diluted content: James Varney reviews an audio piece to be experienced in the bathroom that slips through the fingers.


Review: Chalk Walk, Edinburgh
11 February 2021
Reviews • Edinburgh • National

Review: Chalk Walk, Edinburgh

8-27 February
By Crystal Bennes

Rambling conversation: Crystal Bennes writes on the nourishing simplicity of Ben Harrison’s promenade performance.


Review: Manipulate Festival (online)
3 February 2021
Reviews • Edinburgh • National

Review: Manipulate Festival (online)

27 Jan - 07 Feb
By Lilith Wozniak

Object lesson: Lilith Wozniak writes on the Edinburgh-based puppetry and visual theatre festival’s experiments in digital physicality.


Review: High Man Pen Meander at Tron Theatre, Glasgow (online)
11 December 2020
Reviews • Glasgow • National

Review: High Man Pen Meander at Tron Theatre, Glasgow (online)

8-13 December
By Andrew Edwards

Living architecture: Andrew Edwards reviews a homage to Glasgow poet Edwin Morgan which takes the audience backstage at the Tron.


Review: The Aftermath at The Piece Hall, Halifax (online)
23 November 2020
Reviews • Halifax • National

Review: The Aftermath at The Piece Hall, Halifax (online)

18 November - 31 December
By Louise Jones

Growing pains: Louise Jones reviews Northern Rascal’s outdoor dance piece made with a group of twenty 16-25 year olds from Calderdale.


Review: The Ghost Caller by Headlong
11 November 2020
Reviews • Liverpool • National

Review: The Ghost Caller by Headlong

4-19 November
By Louise Jones

Grief encounter: Louise Jones reviews Headlong’s ghost story, reimagined as a performance via telephone.


Review: Dot. Dot. Dot. at Royal Lyceum, Edinburgh (online)
6 November 2020
Reviews • Edinburgh • National

Review: Dot. Dot. Dot. at Royal Lyceum, Edinburgh (online)

1-2 November, then touring
By Andrew Edwards

‘A story without an ending’: Andrew Edwards writes on Daniel Kitson’s account of the pandemic, from within the thick of it.


Review: Sherlock in Homes at Bristol Old Vic (online)
2 November 2020
Reviews • Bristol • National

Review: Sherlock in Homes at Bristol Old Vic (online)

By Lilith Wozniak

Interactive intrigue: Lilith Wozniak reviews a Zoom-based murder mystery by Bristol theatre company Sharp Teeth.


Review: Bubble at Nottingham Playhouse
26 October 2020
Reviews • National • Nottingham

Review: Bubble at Nottingham Playhouse

23-24 October
By Tracey Sinclair

Lockdown retrospective: Tracey Sinclair reviews James Graham’s play which surveys the summer lockdown through the eyes of a new relationship.


Review: Betrayal at Theatre Royal Bath
25 October 2020
Reviews • Bath • National

Review: Betrayal at Theatre Royal Bath

14-31 October
By Lilith Wozniak

Menace à trois: Lilith Wozniak reviews a revival of Pinter’s reverse-chronological adultery drama


Review: Don’t Go Back to Sleep: The Lockdown Album at HOME, Manchester
22 October 2020
Reviews • Manchester • National

Review: Don’t Go Back to Sleep: The Lockdown Album at HOME, Manchester

21-24 October
By James Varney

Covid culture: James Varney explores the new ways we engage with performance via RashDash’s documentary album, listened to from home.


  • Page 5 of 132
  • Previous
  • 1
  • 2
  • 3
  • 4
  • 5 (current)
  • 6
  • 7
  • 8
  • 9
  • Next
  • Last
Features
  • Q&A and Interviews
  • Essays
  • Opinion
  • Podcast
Reviews
  • OWE & Fringe
  • West End & Central
  • National
  • NYC
  • Performance

exeunt

  • About Exeunt
  • Staff & Contributors
  • Contact Us
  • Subscribe