Menace à trois: Lilith Wozniak reviews a revival of Pinter’s reverse-chronological adultery drama
National
22 October 2020
Reviews • Manchester • National
Review: Don’t Go Back to Sleep: The Lockdown Album at HOME, Manchester
21-24 October
By James Varney
Covid culture: James Varney explores the new ways we engage with performance via RashDash’s documentary album, listened to from home.
11 October 2020
Reviews • National • Newcastle
Review: 10 Minutes to…Call Home, Live Theatre (online)
By Tracey Sinclair
Home from home: Tracey Sinclair writes on an ‘eclectic but entertaining’ selection of ten-minute dramas by emerging writers.
6 October 2020
Reviews • Leeds • National
Review: Connecting Voices at Leeds Playhouse
2-17 October
By Louise Jones
Unreliable connection: Louise Jones reviews a series of short performances exploring isolation and togetherness, co-presented with Opera North.
17 September 2020
Reviews • National
Review: Credit, Alphabetti Theatre
By Tracey Sinclair
Out of credit: Tracey Sinclair reviews a livestream of Laura Lindow’s new play, an ‘urban fable’ about the impact of the rollout of Universal Credit in the North East.
26 May 2020
Reviews • National
Review: The Boris Johnson and Dominic Cummings show
By Natasha Tripney
A tragedy in two acts: Natasha Tripney assesses the theatrical merits of the government’s most recent instalments of live-streamed satire
21 May 2020
Reviews • National
Review: BE at Home
By Ben Kulvichit
Hope in the dark: Ben Kulvichit discovers underground caves, cardboard time capsules and durational circus feats at BE Festival’s online edition.
17 March 2020
Reviews • National • Newcastle
Review: Elevator Festival, Live Theatre
11-21 March
By Tracey Sinclair
Seeds for the future: Tracey Sinclair writes on Live Theatre’s showcase of developing work from emerging makers from the North East and beyond.
16 March 2020
Reviews • Bristol • National
Review: Faustus: That Damned Woman at Bristol Old Vic
10-21 March, then touring
By Ben Kulvichit
I could do so much more: Ben Kulvichit reviews Chris Bush’s ambitious, time travelling reinterpretation of Doctor Faustus.
14 March 2020
Reviews • Glasgow • National
Review: MAIM at Tron Theatre, Glasgow
11-14 March, then touring
By Andrew Edwards
‘Head above water’: Andrew Edwards reviews Theatre Gu Leòr’s multilingual play about climate crisis and the erosion of the Gàidhlig language.
12 March 2020
Reviews • National • Newcastle
Review: Damn Seagulls at Alphabetti Theatre, Newcastle
By Tracey Sinclair
Hat trick: Tracey Sinclair reviews Mike Edwards’ ‘smart and eloquent’ solo show which smiles through grief.
11 March 2020
Reviews • Manchester • National
Review: Augmented at Royal Exchange Theatre, Manchester
5-7 March, then touring
By James Varney
Sudden cyborg: James Varney writes on Sophie Woolley’s first-person account of losing, and then regaining, her hearing.
8 March 2020
Reviews • Leicester • National
Review: Common Salt at Attenborough Arts Centre, Leicester
6 March, then touring
By Naomi Obeng
‘Lost words’: Naomi Obeng writes on Sheila Ghelani and Sue Palmer’s ‘show and tell’ excavation of colonial trade history.
8 March 2020
Reviews • Manchester • National
Review: Insane Animals at HOME Manchester
28 February - 14 March
By James Varney
No spoilers: James Varney writes an email to HOME and explores the ways in which work is contextualised for audiences.
7 March 2020
Reviews • Derby • National
Review: Macbeth at Derby Theatre
3-14 March
By Emily Holyoake
Kite, meat hook, paint: Emily Holyoake delves into the symbolism of props and the tropes of contemporary Shakespeare revivals.