Fierce, real, awkward and fake: Lilith Wozniak reviews dance artist James Morgan’s show about myth, monsters and queer identity
A meditation on the writer: Chris McCormack reviews an experimental piece of theatre inspired by Samuel Beckett
Cooking up a storm: In-Sook Chappell’s adaptation of Helen Tse’s memoir is moving and original.
Like stumbling over poetry written as a lovelorn teen: Louise Jones reviews Metta Theatre’s adaptation of the underwater fairytale
Digging down: this family-friendly adaptation of Louis Sachar’s novel isn’t afraid of asking big questions.
Rituals of remembrance: Argentinian artist Lola Arias’ exploration of the Falklands War comes to York.
A love letter to Blitz London: Aniqah Choudhri reviews Matthew Bourne’s wartime fairy-tale.
Silence and noise: Peter Kirwan reviews Ramps on the Moon’s new show based on a text familiar to A-Level Theatre Studies students.
Locked and loaded: the Scottish premiere of Stephen Adly Guirgis’ comedy is “blisteringly enjoyable”.
Going Greene: Bryony Lavery’s new adaptation of Brighton Rock is unsettling and menacing.
Mission Abort: Tara Flynn’s one-woman play with songs is a surprising satire on Ireland’s treatment of women.
Google it: Tangle Theatre’s three-man Marlowe gives Emily Holyoake a Faustian experience, she thinks.
Teetering on cliché: Margaret Perry’s debut play loses steam in Cathal Cleary’s production.
School gate politics: Lorna Martin makes an assured debut with A Play, A Pie and A Pint.
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth