‘Shiny baubles’: Tracey Sinclair reviews Elayce Ismail’s production of Dylan Thomas’s radio play.
‘A myth sceptical of myths’: James Varney writes on place and ownership in Chris Thorpe’s cycle of contemporary Mystery plays.
A mushrooming community: Ava Wong Davies writes on the intimacy and kindness of the works at this year’s instalment of performance art fest SPILL.
‘Joy in solidarity’: Louise Jones writes on Phoenix Dance Theatre’s celebration of the human stories of the Windrush generation.
Walking, standing still: Eve Allin writes on Stan’s Cafe’s new show about urban inequality, performed on two travelators.
Finding the language: Andy Edwards reviews Amy Rosa’s durational work exploring chronic pain and fatigue.
‘Shrödinger’s gender’: Lilith Wozniak on Wils Wilson’s lucid, playful production of Twelfth Night.
Death and birth: Lilith Wozniak reviews a double bill of new work developed through Bristol Old Vic’s Ferment programme.
Visions of the future: Unlimited Theatre and RashDash collaborate on a whirlwind of speculative scenarios on technology and the body.
‘Dream space’: Catherine Love reviews Sarah Frankcom’s fresh, insightful take on the 20th Century American staple
Dancing shadows: Colin Dunne’s tribute to Tommie Potts’ ‘undanceable’ 1972 album is a meditation on absence and time.
A bad trip: Eve Allin writes on Leo Butler’s surreal new play for Told by An Idiot.
Crafty schemes: Druid’s production brings out all the gallows humour of Shakespeare’s play.
Agonising testimonies: Deirdre Kinahan’s new play is a densely plotted exploration of assault and speaking out.
A mountain of a man? Tracey Sinclair writes on the nuanced performances in the touring production of Katori Hall’s play.