Making Steph Houghton proud: Naia Headland-Vanni reviews Sabrina Mahfouz and Hollie McNish’s play about female footballers.
Shaking heaven to be heard: Chris McCormack is swept up in Brokentalkers’ politically charged, modern-day reimagining of the Passion Play.
Will, Barney and I: Rosemary Waugh and her imaginary friends enjoy a day out in Salisbury.
I get it, finally: Jackie Montague has a revelatory evening with Ramps on the Moon’s revival of The Who’s Tommy
Watching the world come to a standstill: Andrew Edwards reviews Stef Smith’s new play about technology and human connections.
Cowardly nostalgia: Chris McCormack lingers in the halcyon bliss of Noël Coward’s 1930 comedy.
Red shoes and red chairs: Kate Wyver responds to Matthew Bourne’s obsessive and passionate ballet.
Seeking a friend for the end of the world: Tracey Sinclair reviews Kieran Hurley’s apocalyptic one-man show.
Keeping heads above water: Louise Jones reviews Sandi Toksvig’s play about care home residents trying to escape a flood.
How does epic love settle into lethargy? Chris McCormack reviews a radical retelling of the Orpheus and Eurydice myth.
Is it all just dopamine? Chris McCormack reviews a revival of Lucy Prebble’s play about love and drugs.
Peter Kirwan reviews a production “torn between its desire to tell a specific emotional story and its impulse to universalise this narrative”.
Escaped Alone x 4: Rosemary Waugh provides yet another review of Escaped Alone.
Shakespeare done like it was before the Boer War: Fergus Morgan reviews Iqbal Khan’s Antony and Cleopatra.
Things haven’t changed greatly for Chekhov’s characters since last we saw them: Chris McCormack reviews Afterplay as part of the Beckett Friel Pinter festival.