‘We have to stumble along the way and admit to our mistakes’: Catherine Love reviews Testament’s show about feminism and becoming a father.
Catherine Love reviews Daniel Bye’s new show about the “complex mix of complicity, complacency, fear and the desire to do something.”
A powerful, highly fitting homage to real stories: Adam Bruce reviews Zodwa Nyoni’s punchy, poetic paean to Leeds life.
Here’s to you, Mrs Robinson: Adam Bruce is seduced Lucy Bailey’s revival of Terry Johnson’s stage adaptation of Charles Webb’s seminal novel.
A low drone of anxiety: Catherine Love reviews El Conde de Torrefiel’s show as part of Transform 17.
A galvanising call to arms: Catherine Love reviews RashDash’s new show as part of Transform 17.
‘Hipster’, not ‘ipster’: Adam Bruce reviews Headlong’s modern update of Bernard Shaw’s famous work.
A glamorous alternative to panto: Adam Bruce reviews the premiere of Baz Luhrmann’s Strictly Ballroom on stage.
Controlled chaos: Adam Bruce reviews David Wood’s adaptation of Roald Dahl’s The Witches.
Bringing to life the untold: Adam Bruce reviews Buglight’s new play about prostitution in WWI.
John Murphy reviews the production of Villette introducing new audiences to Yorkshire’s most famous siblings.
A beautiful evening? Catherine Love discusses Northern Ballet’s performance at Transform ’16.
What do you most want to see on stage? Holly Williams reviews Chris Goode & Company at Transform ’16
“This is not really a play about football but rather a study of obsession, and an examination of a very Northern type of male friendship.”
“It’s an epic in the truest sense of the word, one that remains faithful to its source material while never feeling remotely like an anachronism.”