Thatcher’s children: Catherine Love reviews a stage adaptation of Bernard Hare’s Urban Grimshaw and the Shed Crew.
‘We have to stumble along the way and admit to our mistakes’: Catherine Love reviews Testament’s show about feminism and becoming a father.
Catherine Love reviews Daniel Bye’s new show about the “complex mix of complicity, complacency, fear and the desire to do something.”
A powerful, highly fitting homage to real stories: Adam Bruce reviews Zodwa Nyoni’s punchy, poetic paean to Leeds life.
Here’s to you, Mrs Robinson: Adam Bruce is seduced Lucy Bailey’s revival of Terry Johnson’s stage adaptation of Charles Webb’s seminal novel.
A low drone of anxiety: Catherine Love reviews El Conde de Torrefiel’s show as part of Transform 17.
A galvanising call to arms: Catherine Love reviews RashDash’s new show as part of Transform 17.
‘Hipster’, not ‘ipster’: Adam Bruce reviews Headlong’s modern update of Bernard Shaw’s famous work.
A glamorous alternative to panto: Adam Bruce reviews the premiere of Baz Luhrmann’s Strictly Ballroom on stage.
Controlled chaos: Adam Bruce reviews David Wood’s adaptation of Roald Dahl’s The Witches.
Bringing to life the untold: Adam Bruce reviews Buglight’s new play about prostitution in WWI.
John Murphy reviews the production of Villette introducing new audiences to Yorkshire’s most famous siblings.
A beautiful evening? Catherine Love discusses Northern Ballet’s performance at Transform ’16.
What do you most want to see on stage? Holly Williams reviews Chris Goode & Company at Transform ’16
“This is not really a play about football but rather a study of obsession, and an examination of a very Northern type of male friendship.”