“As empty as George W Bush’s glassy stare”: Christine Irvine reviews the musical adaptation of Green Day’s early-noughties album.
“Merciless modern sensibility”: Christine Irvine reviews Zinnie Harris’ reworking of The Oresteia.
“A ferocious physical and psychological battle”: Christine Irvine reviews Frances Poet’s adaptation of August Strindberg.
Christine Irvine completes a marathon session of Rona Munro’s regal Scottish trilogy.
“Caught in a knot of police protection, even the characters’ identities are fluid.” Christine Irvine reviews David Harrower’s work.
Chekhov, up close.
A challenge and a warning.
A festival of performance and ecology in Glasgow.
Murder, she wrote.
Join the club.
Plus ca change.
Her delicacy was her downfall.