Sharing out the M&Ms: Chris White reviews Bertrand Lesca and Nasi Voutsas’s show about Greece and the EU.
Here to stay: Jafar Iqbal reviews Sh!t Theatre’s return to the Edinburgh Fringe.
Make-do-and-mend: Chris White reviews Stone Crabs Theatre Company’s staging of a forgotten play by Donald Margulies.
A one man, one chair, one pint show: Dave Fargnoli reviews Danny Mellor’s play about the Miners’ Strike and its aftermath.
Chris White reviews The Outbound Project’s first foray into the Fringe with a show exploring ambition, identity and space travel.
When Eric met Rose: Nicole Serratore reviews a nostalgia-driven play with songs that’s more songs than play.
You are not alone: Rosemary Waugh reviews Sam Rowe’s one-man show based on The Journals of Denton Welch.
When even the angels need comforting: Chris White reviews Brokentalkers and Junk Ensemble’s exploration of grief.
Less a play and more a narrative gig: Nicole Serratore reviews Luke Barnes’ adaptation of Richard Milward’s novel.
On being rubbed out: Rosemary Waugh reviews BRONKS’ children’s show about the Beslan siege.
Watch how much you smile: Nicole Serratore reviews Liam Williams’ play about gender and relationships.
Just chill out: Chris White reviews Peter Darney’s verbatim play about the chemsex scene.
They said I didn’t know what I was getting myself into: Rosemary Waugh reviews Natalia Osipova & Guests at the Edinburgh International Festival.
Lemons Lemons Lemons Lemons Lemons returns to the Fringe for another conversation in 140 words a day.
The other side of the mirror: Chris White reviews Adura Onashile’s new play about corruption and freedom.