Duška Radosavljević flies off to planet baby theatre, and discovers a great show by the Scottish company Starcatchers.
Correcting the historical record: Chris White reviews Seiriol Davies’ riotous retelling of the life of Henry Cyril Paget.
Our mental furniture: Alice Saville reviews Yinka Kuitenbrouwer site-specific show about home.
Physical and emotional turmoil: Nicole Serratore reviews Stacey Gregg’s dramatising of a real-life legal case.
The end of the world: Duška Radosavljević reviews Kieran Hurley’s new storytelling piece at Summerhall.
Creating a space for all misfits: Nicole Serratore reviews Christeene “inside a castle’s butthole” at the Edinburgh Fringe.
Chris White reviews “probably the most offensive play at this year’s Fringe”.
Golden eggs and gingerbread houses: Chris White reviews Fiercely Spun’s recognition of the women behind the Brothers Grimm.
My body, gloriously confusing: Nicole Serratore reviews Lucy J Skilbeck’s retelling of the story of Joan of Arc.
A slow unravelling: Jafar Iqbal reviews one of two Phoebe Éclair-Powell plays at this year’s Fringe.
‘Imagine a coked-up, sexed-up staging of Police Academy…’ Chris White reviews The Pretend Men’s cop show comedy in Edinburgh.
The concept of trust: Kate Wyver reviews Rob Drummond’s part-theatre part-gameshow attempt at finding love.
Undermining our comfort: Nicole Serratore reviews the RSC’s anger-minimising production of Alice’s Birch’s play.
Social housing, not social cleansing: Dave Fargnoli reviews LUNG’s piece of documentary theatre on the fight against gentrification in Newham.
Intense and claustrophobic: Jafar Iqbal reviews Matthew Wilkinson’s play about a grieving architect.