Becoming un-eggnog-ed: Chris White reviews Mamoru Iriguchi’s experiment with Marlene Dietrich in 4D.
The story machine: Duška Radosavljević reviews Nassim Soleimanpour’s Blank at Summerhall.
Not getting the party started: Chris White reviews a too tame offering from Not Too Tame in Edinburgh.
Nicole Serratore reviews Thomas Ostermeier’s glitter cannon and percussion-heavy production of Richard III.
The post-apocalyptic planet: Duška Radosavljević reviews Ontroerend Goed’s new work.
A thoroughly uplifting apocalyptic show: David Ralf reviews DugOut’s latest play.
Raw and honest: Chris White reviews Theatre Temoin’s production about young homeless people.
“All I want is a hug,”: Nicole Serratore reviews Phoebe Eclair-Powell’s play about two lonely teenagers.
Porcelain statues and shady antique dealers: Fergus Morgan reviews Shôn Dale-Jones’s one-man show at the Edinburgh Fringe.
Duška Radosavljević meets Cirrus the shepherd dog at the Royal Botanic Garden’s annual offering of children’s theatre.
Portraits of resilience: Fergus Morgan reviews Kai Fischer’s show at the Assembly Hall.
Urgent, feminist, mouthy and angry: Duška Radosavljević reviews AJ Taudevin’s gig-theatre show at the Edinburgh Fringe.
Exile in Zone 5: Lauren Mooney reviews Annie Siddons’s show about motherhood and loneliness.
This show should be prescribed on the NHS. Review by Duška Radosavljević.
Intergalatic space goddesses and toddlers in pink princess dresses: Alice Saville reviews RashDash.