“Was it the way I laughed?” Chris McCormack reviews Caitríona Daly’s fractured monologue about abuse.
Turning the verbal into the physical: Chris McCormack reviews Irish Modern Dance Theatre’s interpretation of King Lear.
Clearing a name: Chris McCormack reviews Fearghus Ó Conchúir’s new dance work based on the life of Roger Casement.
Fading dreams and family ties: Chris McCormack reviews Frank McGuinness and Kevin Doherty’s new ‘play with songs’.
Chris McCormack reviews an unremarkable adaptation of a Beckett novella.
Each unbearable blast: Chris McCormack reviews THEATREclub’s marathon production weaving together Sean O’Casey’s The Plough and the Stars and Irish politics.
A male perspective: Chris McCormack reviews a new play focusing on the identities of men in modern Ireland.
A parade of missed connections by a summer lake: Chris McCormack reviews the Corn Exchange’s updating of Chekhov to modern Ireland.
Get back in the kitchen: Chris McCormack considers the image of the Irish home in The Remains of Maisie Duggan.
Nowhere left to go: Chris McCormack reviews a new play about Ireland’s Traveller communities and the Carrickmines tragedy.
The ebb and flow of the tide: Chris McCormack reviews a thoughtful portrait of four individuals at breaking point .
How to make people take notice: Chris McCormack reviews Fionnuala Gygax’s play about Ireland’s Direct Provision system.
Chris McCormack is sucked into 90s rave culture to explore a woman’s perspective on the world, at the Dublin Fringe.
An enhanced future: Chris McCormack reviews the Irish premiere of Stacey Gregg’s latest play, performed as part of the Dublin Fringe.
The slipping sands of self-preservation: Chris McCormack reviews Brokentalkers new work at the Dublin Fringe.