“A spectator, no less than a society, is complicit”: Chris McCormack reviews a site-specific production about the history of the Irish family.

Chris McCormack reviews an “excellent and beguiling new play” about living with autism in contemporary Ireland.

Sing it loud: Chris McCormack reviews a new children’s show about revolution as part of the Dublin Fringe 2017.

Roosting on Dublin’s docklands, this featherlight circus spectacle explores a place in collapse.

“Make Hibernia Great Again”: Chris McCormack reviews Ill-Advised Theatre Company’s post-truth satirical musical.

Memories aren’t to be trusted: Chris McCormack reviews a new work by Malaprop as part of the Dublin Fringe 2017.

Usual routines made uncanny: Chris McCormack reviews Junk Ensemble’s new work exploring violence in the military.

A brave new world: Chris McCormack starts off our coverage of the Dublin Fringe with a review of Simon Doyle’s radical rewriting of The Tempest.

An anxiety dream for the nation: Chris McCormack reviews Caroline Byrne’s new production of Teresa Deevy’s unsettling drama.

The escape plan: Chris McCormack reviews David Grieg’s play about life on a remote island.

Space for freethinking: Chris McCormack reviews the Abbey Theatre’s adaptation of a Ken Loach film.

Dreaming of a new destination: Chris McCormack reviews a double bill of two short plays by Tennessee Williams.

Heading towards the green light: Chris McCormack reviews an immersive staging of F. Scott Fitzgerald’s famous novel.