Chris McCormack reviews Martin McDonagh’s bleak comedy about ‘pioneering gravediggers, alcoholic priests and corrupt police’.
Content with Hermia? LOL: Chris McCormack reviews a version of Shakespeare’s comedy ‘that revels in human folly’.
Gravediggers: Chris McCormack reviews a play about gangland violence and childhood friendship.
‘A painful confrontation with an unaccepting place’: Chris McCormack reviews Rachel O’Riordan’s production of a new play about returning to Ireland after 20 years of family exile.
A wistful trip back: Chris McCormack reviews the second part of Roddy Doyle’s Barrytown Trilogy.
Love and playwriting: Chris McCormack reviews Brian Friel’s two-part play.
Boom and bust: Chris McCormack reviews Veronica Dyas’ new play inspired by Bertolt Brecht’s The Mother.
An expression of thanks: choreographer Oona Doherty crafts a religious reflection on her home town.
Pain felt through generations: Marina Carr’s play explores psychological trauma and family.
Chris McCormack reviews Stephen Sondheim’s musical about nine people who attempted to assassinate US presidents
A meditation on the writer: Chris McCormack reviews an experimental piece of theatre inspired by Samuel Beckett
Mission Abort: Tara Flynn’s one-woman play with songs is a surprising satire on Ireland’s treatment of women.
Teetering on cliché: Margaret Perry’s debut play loses steam in Cathal Cleary’s production.
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth
Inner city pressure: Colin Murphy’s documentary play slides sideways into farce.