A wistful trip back: Chris McCormack reviews the second part of Roddy Doyle’s Barrytown Trilogy.
Love and playwriting: Chris McCormack reviews Brian Friel’s two-part play.
Boom and bust: Chris McCormack reviews Veronica Dyas’ new play inspired by Bertolt Brecht’s The Mother.
An expression of thanks: choreographer Oona Doherty crafts a religious reflection on her home town.
Pain felt through generations: Marina Carr’s play explores psychological trauma and family.
Chris McCormack reviews Stephen Sondheim’s musical about nine people who attempted to assassinate US presidents
A meditation on the writer: Chris McCormack reviews an experimental piece of theatre inspired by Samuel Beckett
Mission Abort: Tara Flynn’s one-woman play with songs is a surprising satire on Ireland’s treatment of women.
Teetering on cliché: Margaret Perry’s debut play loses steam in Cathal Cleary’s production.
Magdalene Ghosts: Chris McCormack reviews a new play about unearthing the truth
Inner city pressure: Colin Murphy’s documentary play slides sideways into farce.
Crying for help: Mark O’Rowe’s new drama asks disturbing questions about loneliness.
This feels like progress: John B. Keane’s tragedy is injected with new meaning by Garry Hynes.
Chris McCormack reviews John O’Donovan’s play that brings “the heartbroken gay men of rural Ireland to the stage”.
A propelling thriller with a clear villain: Chris McCormack reviews an interactive play where the audience get to decide what’s right.