Open wounds: Sally Hales reviews Lisa Parry’s allegorical play about a “left-behind” Welsh town.

A faltering take-off: Lilith Wozniak reviews a haltingly staged sci-fi promenade show from National Theatre of Wales and Hijinx Theatre.

Surgical precision: Sally Hales writes on Hedda’s struggle ‘to be seen on her own terms’ in Chelsea Walker’s crystal-clear production.

‘Cautious kindness’: Lilith Wozniak on the gentle hope of Ed Thomas’s rural, Beckettian play.

You and I, here and there: Ben Kulvichit responds to Jo Fong and Sonia Hughes’ participatory piece by setting a timer for six minutes.

Speaking out: Lilith Wozniak reviews a new play from National Theatre Wales about abortion and the dangers of silence, set between Ireland and Wales.

A familiar family: Ben Kulvichit writes on Chippy Lane Production’s new play and its echoes of 20th Century American playwrights