The Bright Black Edge of Nowhere. Or, How I Survived The Cube by Rosemary Waugh.
The pain that connects us: Rosemary Waugh reviews Laura Dannequin’s Hardy Animal.
Patching things up: Rosemary Waugh reviews Viv Gordon’s new performance piece about GPs struggling to cope.
Love, loss and unlikely friendship: Kate Wyver reviews Kneehigh’s adaptation of Michael Morpurgo’s story.
Our father who art in Devon: Rosemary Waugh reviews Lucy Bell’s new play about Alpha courses and Mumsnet.
Telling ghost stories: Kate Wyver reviews a new production of The Weir directed by Rachel O’Riordan.
Pearly whites with a lack of bite: Rosemary Waugh reviews the Bristol Old Vic’s new macabre musical.
Rosemary Waugh provides three answers to the question: ‘how do you review Akram Khan’s Giselle?’
“I know you’re the boss, sir / But it’s about your lifestyle – you’re a toss-er”: Rosemary Waugh reviews Opera Project’s slightly different take on Mozart’s Don Giovanni.
And the winner is Janáček: Rosemary Waugh reviews a performance of Laura Wade’s Kreutzer Vs Kreutzer as part of a short UK tour.
There you go: Rosemary Waugh reviews The Plasticine Men’s new show about America and Afghanistan.
The Made In Bath play made in Bristol: Rosemary Waugh reviews Dominic Hill’s ruffled up Rivals.
And the show really did go on: Rosemary Waugh reviews the relaunch of the Alma Tavern Theatre.
Ruddy good SPAM fritters! Rosemary Waugh reviews the Wardrobe Ensemble’s wartime comedy.
Rage Against The Machine: Rosemary Waugh reviews the Bristol Old Vic Young Company’s latest production.