Sunshine and suicide: Rosemary Waugh reviews the English National Ballet’s performance of Nureyev’s take on Shakespeare.
Delights at the same time as it challenges: Lilith Wozniak reviews Myrtle Theatre’s follow-up to Up Down Boy.
Banging away: Kneehigh’s latest adaptation is energetic but aimless.
Overthinking overthinking: Rosemary Waugh reviews the UK touring production of People, Places & Things.
You can feel the bombs rumbling through your shoes: Lilith Wozniak reviews a site-specific immersive show about the siege of Leningrad.
Grief, robbery and Christmas pudding: Kate Wyver reviews James Rowland’s show on tour in Bristol.
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
Serie A in the senate house: Rosemary Waugh reviews a production of Julius Caesar featuring final year students from the Bristol Old Vic Theatre School.
Of pebbles which the waves draw back: Rosemary Waugh reviews Nic McQuillan’s new one-man show about love and loss.
A warning against consumerism: Naia Headland-Vanni reviews 1927’s Golem, on tour in Bristol.
It’s a wrap: Rosemary Waugh reviews one of the last ever performances of Ontroerend Goed’s superb Sirens.
Being wooed: Rosemary Waugh reviews Ravi Jain’s show about arranged marriage and families.
Theatre Theresa May should be watching: Rosemary Waugh reviews Firebird Theatre’s new work about their company and how it got its name.
“A superbly executed concept by a blisteringly talented group”: Lucian Waugh reviews a modern update of Medea that shares much in common with opera.
A portrait of an artist: Rosemary Waugh reviews Concert Theatre’s take on Anne Brontë’s novel.