Loud, modern, sweary and stark: Rosemary Waugh reviews Shakespeare At The Tobacco Factory’s new production of Othello.
24-fingered 24-hour care: Rosemary Waugh reviews Pipeline Theatre’s show about robot carers.
State of the nation theatre (with a side of chips): Rosemary Waugh reviews Katy Baird’s performance of Workshy as part of IBT17.
Your body is yours, take it: Rosemary Waugh reviews Vivian Chinasa Ezugha’s performance at IBT17.
Hearts and minds: Rosemary Waugh reviews a new children’s show about depression.
An enormously heartbreaking experience: Kate Wyver reviews Rosana Cade’s new work at IBT17.
Carpe Dieming: Rosemary Waugh reviews Stacy Makishi’s life-affirming show at In Between Time 2017.
A portrait of two bodies resisting: Maddy Costa reviews Rachael Young and Dwayne Antony’s performance at IBT17.
“Are you meditating?” Kate Wyver takes part in French and Mottershead’s site-specific show about the body after death.
Two men are dancing: Maddy Costa reviews Lone Twin’s durational performance at Bristol’s In Between Time festival.
Not your common-or-garden Christmas show: Lucian Waugh reviews Vivienne Franzmann’s version of The Snow Queen.
Wonderfully and inappropriately gory: Lucian Waugh reviews the return of Sally Cookson’s Cinderella to Bristol.
When ‘feel good’ makes you ‘feel bad’: Rosemary Waugh reviews Broken Biscuits as part of its UK tour.
Storytelling that lasts forever: Rosemary Waugh reviews Theatre Ad Infinitum’s version of The Odyssey.
The ghosts of St Thomas the Martyr: Rosemary Waugh reviews Submerge Festival’s triple bill of performances.