“Sensitive, if not always successful”: Tracey Sinclair reviews the world premiere of Neil Bartlett’s new work about Ernest Boulton.
Tracey Sinclair reviews Vicky Featherstone’s “raucous and earthy” production as part of the Brighton Festival.
Tracey Sinclair reviews Tim Crouch’s “riotous” collaboration with comedy troupe Spymonkey.
“Circus stripped bare”: Tracey Sinclair reviews The Ricochet Project at Brighton Festival.
“You can say the wrong thing” – William Drew offers a spoiler-free preparation document for interactive performance Operation Black Antler, part of the Brighton Festival.
Best enjoyed with fizz: Tracey Sinclair reviews a juke box musical.
Tracey Sinclair reviews Jean Rogers’ staging of the correspondence between Ellen Terry and George Bernard Shaw.
Tracey Sinclair reviews Peter Whelan’s story of “privacy, autonomy, and morality.”
Manic Pixie Dream Socialist Workers and Lady Macbeth in Alexander McQueen: Tracey Sinclair reviews KCIII.
Tracey Sinclair reviews a “wacky (if witty) rom-com”, slightly lacking its bitter edge.
Too much, resulting in too little.
Riotous and elemental.
Jolly hockey sticks.
Walking his own path.