‘It requires work’: Andrew Edwards writes on Karen Christopher and Tara Fatehi Irani’s rewardingly dense durational performance.
‘Why and when did the other side stop Rocking Against?’: Naomi Obeng on music and activism in Middle Child’s new show about the Rock Against Racism movement.
Say cheese: Ben Kulvichit reviews Tuyen Do’s finely wrought domestic drama, the first Vietnamese-British play to be seen on a UK stage.
‘I’m beautiful and I’m here’: Ben Kulvichit reviews Tinuke Craig’s soulful, stirring production of the musical adaptation of Alice Walker’s famous epistolary novel.
Improbable feats: Ben Kulvichit writes on heroes and villains in Inua Ellams’ new play, which fuses Greek and Yoruba mythology.
Nightmare room: Eve Allin reviews Daniel Bailey’s surreal production of Joe Penhall’s dissection of systemic racism in the mental health care system.
Starting a conversation: Eve Allin reviews a new collaboration between Andy Smith (UK) and Amund Sjølie Sveen (Norway)
Walking, standing still: Eve Allin writes on Stan’s Cafe’s new show about urban inequality, performed on two travelators.
A bad trip: Eve Allin writes on Leo Butler’s surreal new play for Told by An Idiot.
A subtle, gracefully outlined coping mechanism: Eve Allin reviews Jamila Johnson-Small’s solo project as part of Fierce Festival 2017.
“Sort of exquisite in its own tender, unassuming way.” Catherine Love reviews Tom Wells’ Folk.
Kate Tempest’s soaring second play.
Corridor of power.