Rattles along like high heels on a city sidewalk: Tracey Sinclair reviews Tori Scott performing in Brighton.
A magical flourish: Chris McCormack reviews Collapsing Horse’s production of a surreal Chekhovian comedy.
A bold, bright, and boisterous show: Emily Holyoake reviews a circus-themed version of Shakespeare’s comedy.
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights.
Trying to be part of the gang: Chris White reviews Sleeping Trees at the Boat Shed in Exeter.
A vivid plane of toxic femininity: Chris McCormack reviews Druid’s revival of Mark O’Rowe controversial play.
“A blast of bitter wilderness”: Chris McCormack reviews Conall Morrison’s chilly musical adaptation of Georg Büchner’s unfinished classic.
Horror and humour: Geoff Mills reviews Blanche McIntyre’s contemporary version of Titus Andronicus.
Heading towards the green light: Chris McCormack reviews an immersive staging of F. Scott Fitzgerald’s famous novel.
A never-ending supply of cheese-based puns: Chris White reviews the Narwhal Ensemble.
Satirical comment beaten into submission: Christine Irvine reviews the Tron Theatre’s resurrection of Anthony Neilson’s Christmas-time comedy.
“A suburban Dublin equivalent of Sartre”: Chris McCormack reviews the Abbey Theatre’s staging of Roddy Doyle’s Facebook dialogues.
“Better off at the pub”: Chris White laments the lack of peanuts and lager at Pub Talks’ Pint Sized Conversation.
Catherine Love on a flimsy gig-theatre exploration of the Lancashire Cotton Famine.