New horizons: Tracey Sinclair reviews a trilogy of quest-themed short plays by Stewart Melton.
Eye contact: James Varney writes on liveness in Rob Drummond’s unsettling, loss-tinged open mic night.
Writing history: Lilith Wozniak writes on the role of storytelling in Giles Terera’s radio play about the 1781 Zong slaveship massacre and the fight for abolition.
Office romance: Harvey Bassett reviews Out of Chaos’s interactive telephone show masquerading as a market research questionnaire.
Untangling threads: Mostyn Jones reviews an ambitious game by Dan Hett exploring the fallout of a terror attack.
‘Homecoming’: Louise Jones reviews a warming, nostalgia-laden gig theatre tribute to the city of Sheffield.
Murder most foul: Amy Borsuk reviews Creation Theatre’s Zoom production of John Webster’s revenge tragedy, which successfully walks a tightrope between camp and gore.
Black mirror, black mirror on the wall…: Naomi Obeng reviews a star-laden adaptation of Oscar Wilde’s novel, transposed to the perilous world of social media.
The roaring 2020s: Lilith Wozniak reviews The Wardrobe Ensemble’s inventive filmed adaptation of the F. Scott Fitzgerald classic.
Theatre for the cochlea: Tracey Sinclair reviews a varied set of audio-plays produced by sound designer Danny Krass.
Diluted content: James Varney reviews an audio piece to be experienced in the bathroom that slips through the fingers.
Rambling conversation: Crystal Bennes writes on the nourishing simplicity of Ben Harrison’s promenade performance.
Object lesson: Lilith Wozniak writes on the Edinburgh-based puppetry and visual theatre festival’s experiments in digital physicality.
Living architecture: Andrew Edwards reviews a homage to Glasgow poet Edwin Morgan which takes the audience backstage at the Tron.
Growing pains: Louise Jones reviews Northern Rascal’s outdoor dance piece made with a group of twenty 16-25 year olds from Calderdale.