Horror amid the hilarity: Marie Hamilton and Stephanie Kempson’s musical John Gay adaptation hits all the right notes.
Chris McCormack reviews Stephen Sondheim’s musical about nine people who attempted to assassinate US presidents
Fierce, real, awkward and fake: Lilith Wozniak reviews dance artist James Morgan’s show about myth, monsters and queer identity
A meditation on the writer: Chris McCormack reviews an experimental piece of theatre inspired by Samuel Beckett
Cooking up a storm: In-Sook Chappell’s adaptation of Helen Tse’s memoir is moving and original.
Like stumbling over poetry written as a lovelorn teen: Louise Jones reviews Metta Theatre’s adaptation of the underwater fairytale
Digging down: this family-friendly adaptation of Louis Sachar’s novel isn’t afraid of asking big questions.
Rituals of remembrance: Argentinian artist Lola Arias’ exploration of the Falklands War comes to York.
A love letter to Blitz London: Aniqah Choudhri reviews Matthew Bourne’s wartime fairy-tale.
Silence and noise: Peter Kirwan reviews Ramps on the Moon’s new show based on a text familiar to A-Level Theatre Studies students.
Locked and loaded: the Scottish premiere of Stephen Adly Guirgis’ comedy is “blisteringly enjoyable”.
Going Greene: Bryony Lavery’s new adaptation of Brighton Rock is unsettling and menacing.
Mission Abort: Tara Flynn’s one-woman play with songs is a surprising satire on Ireland’s treatment of women.
Google it: Tangle Theatre’s three-man Marlowe gives Emily Holyoake a Faustian experience, she thinks.
Teetering on cliché: Margaret Perry’s debut play loses steam in Cathal Cleary’s production.