Improbable feats: Ben Kulvichit writes on heroes and villains in Inua Ellams’ new play, which fuses Greek and Yoruba mythology.
‘Sharpness and spikiness’: Tracey Sinclair reviews Katie Arnstein’s nostalgia-laced debut show about a feminist coming-of-age.
Ambiguous advertising: James Varney asks what Señor Serrano’s banana-filled multimedia production is selling, and paying for.
The path of most resistance: Lilith Wozniak reviews a multi-stranded project from Headlong, made with four communities from across the UK.
Someday, somewhere: Catherine Love on what Sarah Frankcom’s fresh, stark revival of West Side Story has to say about the world the young inherit.
‘Life’s metaphorical bucket’: Louise Jones reviews Holly Gallagher’s solo storytelling show about the three Millennials under stress.
Scuttling sand-creatures and killer hairballs: Tracey Sinclair reviews a duo of surreal puppet shows at Newcastle’s Moving Parts Festival.
‘Locked in crosshairs’: Andy Edwards on the disorienting experience of watching Harry Josephine Giles’ catalogue of contemporary violences.
‘The antithesis of magic’: Lilith Wozniak writes on Robin Boon Dale’s performance lecture on the philosophy and physics of juggling.
Tensions in the ring: Louise Jones on plot and character in a wrestling ring-set co-production between Red Ladder and The Dukes, Lancaster.
Who cares?: Tracey Sinclair reviews John McKenna’s theatrical enquiry into Northern Ireland’s political landscape.
Brutalist brilliance: Francesca Peschier reviews Chris Bush and Richard Hawley’s sweeping musical ode to Sheffield’s Park Hill housing estate.
Emotionally invested: Naomi Obeng writes on a stage adaptation of a childhood favourite which ‘plainly plays with magic’.
Gazing into the mirror: Lilith Wozniak takes a trip to Newport to soak in Mike Brookes’ demanding, philosophical piece, the third in his Storm Cycle project for National Theatre Wales.
Privatisation and private moments: Tracey Sinclair reviews a double bill of plays addressing hot social issues as part of Live Theatre’s Elevator Festival for new work.