A wistful trip back: Chris McCormack reviews the second part of Roddy Doyle’s Barrytown Trilogy.
The Grey Zone disintegrates: Chris Collett reviews Javaad Alipoor’s interactive show on the internet as a space for extreme violence.
‘A vivid plea for understanding’: David Pollock reviews a promenade adaptation of Naoki Higashida’s book about the experience of autism.
Pertinent and unsettling: John Murphy reviews a stage adaptation of Ken Kesey’s novel.
Love and playwriting: Chris McCormack reviews Brian Friel’s two-part play.
A tough act to resist: Tracey Sinclair falls for the big-hearted charm of Laurence O’Keefe and Nell Benjamin’s stage adaptation on its national tour.
And what an atmosphere… Peter Kirwan reviews Mufaro Makubika’s award-winning play set in 1950s Nottingham.
Boom and bust: Chris McCormack reviews Veronica Dyas’ new play inspired by Bertolt Brecht’s The Mother.
Tracey Sinclair reviews a one man show about an ingenious stretch of coastal electric railway
Brains and guts beneath glitzy excess: Sh!t Theatre’s love letter to Dolly Parton is gloriously chaotic fun.
A beautiful game: Improbable’s devised show mixes football and feminism, in a tribute to the power of teamwork.
An expression of thanks: choreographer Oona Doherty crafts a religious reflection on her home town.
‘It’s the kind of weird theatre show that I want to bring all of my non-theatre friends to see’: Lilith Wozniak reviews Richard Allen’s show as part of Mayfest 2018.
‘The air of stifling, claustrophobic routine’: David Pollock reviews Martin McCormick’s absurdist play
Rosemary Waugh reviews the British Paraorchestra’s new work inspired by the theoretical physicist Richard Feynman, as part of Bristol’s Mayfest