A strange sort of hope: Andrew Edwards reflects on the Glasgow iteration of this collaborative, international, interdisciplinary artwork.
Claire Takami Siljedahl reviews Francesca Beard’s new show about truth and deception at Cambridge’s Watch Out Festival.
A new, funny, cross intimacy: Lily James reviews Lucy and Addrian Hutson’s father-and-daughter performance at Cambridge’s Watch Out Festival
Enormous, terrifying power: Lily James writes on taking part in Jamal Harewood’s follow up to The Privileged, a collaborative show about the impact of words.
The gentle tracing of our pens on paper: Kate Wyver draws Hannah Sullivan in her “infinitely delicate” one-on-one participatory show in Bristol.
Poetics, conversations and form in critical writing: a series of post-Spill Festival reflections.
Lois Keidan on the curated programme of talks and performances, Old Dears, at Chelsea Theatre.
‘A voice can break, a flyer can fall and glass can shatter.’
Curator Lisa Alexander on a festival exploring European solidarity through love, action and provocation.
Poetics of the uncanny.
Participation and accountability.
Artist Madeleine Botet De Lacaze on astrology, corporeality and Virginia Woolf.
Analogue and total documentation.
A tribute to the disappeared.