Dream on: Rosemary Waugh reviews a new work-in-progess from The Plasticine Men about selling cars to the Indian market
‘Mounting claustrophobia’: Tracey Sinclair reviews Patrick Hamilton’s classic, as part of the Brighton Fringe 2018.
‘Teetering on the edge’: Maria Iu reviews the Julie Cunningham Company’s version of Sarah Kane’s Crave
Storybook kings and queens: Rosemary Waugh reviews George Benjamin and Martin Crimp’s new opera, directed by Katie Mitchell
‘A pocket version of the classic Scots ‘ceilidh play’’: David Pollock reviews a piece of verbatim theatre based on farming in Perthshire
A murky moral world: Kali Theatre’s new writing festival boasts a well-researched work-in-progress from Rukhsana Ahmad.
One very dangerous man: Catrina McHugh’s two-hander explores the issues of coercive control within relationships.
Different hymn sheets: writer Rajiv Joseph and director Lisa Spirling don’t see eye to eye in this spiralling history of Russia.
Rivetingly dark: Junk Ensemble’s dance-theatre reimagining of Vladimir Nabokov’s Lolita is thrilling and revelatory.
With witnessing comes responsibility: Tinuke Craig’s double-bill debbie tucker green revival forces its audience into a community.
Defiance as superpower: Freddie Machin reviews Rachael Young’s new show about Afrofuturism and the cult of Grace Jones
Lee Anderson reviews “cyborg theatre” by Susanne Kennedy
“Get ready to get wet.” Freddie Machin reviews a bath-themed circus show
War and peace: Rosemary Waugh reviews the Maly Theatre of St Petersburg performing Vasily Grossman’s epic work
Fancy hats and flower arranging: Tracey Sinclair reviews comedian Simon Topping’s solo show.