Lively, non-stop and irreverent: Louise Jones reviews the HandleBards high energy take on As You Like It.
Drink and dullness: Corrie Tan reviews John Tiffany’s revival of Jim Cartwright’s Road.
Stuff – just – happens: Miriam Gillinson reviews Conor McPherson’s new play based around Bob Dylan songs.
Rattles along like high heels on a city sidewalk: Tracey Sinclair reviews Tori Scott performing in Brighton.
A magical flourish: Chris McCormack reviews Collapsing Horse’s production of a surreal Chekhovian comedy.
Order, order: Rosemary Waugh reviews Lucy Kirkwood’s new play at the National Theatre
A question of responsibility: Maddy Costa reviews Josette Bushell-Mingo performing at the Young Vic.
A bold, bright, and boisterous show: Emily Holyoake reviews a circus-themed version of Shakespeare’s comedy.
Let them eat cake: Brendan Macdonald reviews Oliver Cotton’s new play.
‘An injury to one is the concern of all’: Francesca Peschier reviews Kieran Hurley’s new show.
Beach combing: Rosemary Waugh reviews the 2017 Made in Bristol production.
Maracas ’n’ all: Sally Hales reviews Matthew Dunster’s Mexican Much Ado About Nothing.
Homecoming: Rosemary Waugh reviews a night of four work-in-progress plays by Welsh playwrights.
The isolation of the young and the lost: Gillian Greer reviews the 20th anniversary production of Enda Walsh’s first play.
Trying to be part of the gang: Chris White reviews Sleeping Trees at the Boat Shed in Exeter.