Olympian struggles: Henry Naylor’s play explores the histories of two female German Jewish athletes.
No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Hailey Bachrach reviews Kit Finnie’s solo show that promises ‘a feminist ghost story’.
Hailey Bachrach reviews a musical version of ‘the perennially adapted tale of a dude who had one job’.
‘Padded and glittering’: Hailey Bachrach reviews the musical take on Marvel.
Deep and rich and jagged: Ava Davies on ThisEgg’s fluid exploration of bodies and trauma.
None of this has to be true: Eve Allin reviews Poltergeist Theatre’s sci-fi show.
Hailey Bachrach reviews ‘a sweet and delicate show about a boy and a girl in the English countryside’, a new play using folk music by TRILLS.
Friendship and doodling: Rosemary Waugh reviews Druid Theatre’s staging of Beckett at the Edinburgh International Festival.
‘Glitters with warmth’: Ava Davies reviews Le Gateau Chocolat’s cabaret version of The Ugly Duckling.
What does it mean to reclaim Shakespeare? Hailey Bachrach reviews Mulberry Theatre Company’s revision of Henry V.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
Gravediggers: Chris McCormack reviews a play about gangland violence and childhood friendship.
Meaningful and lovely: Laura Wade’s exploration of ’50s domesticity swells into something surprisingly heartfelt.
Just your average guy… until he’s not: Rosemary Waugh reviews Claire van Kampen’s Othello.