![Review: The Duchess [of Malfi] at The Lyceum, Edinburgh](http://exeuntmagazine.com/wp-content/uploads/2.-Angus-Miller-as-Ferdinand-and-Kirsty-Stuart-as-The-Duchess.-Photo-credit-Mihaela-Bodlovic-600x353.jpg)
Reinterpreting revenge: Crystal Bennes writes on contemporary relevance in Zinnie Harris’s retelling of John Webster’s bloody tragedy.
Reviews
27 May 2019
Reviews • OWE & Fringe
Review: King Hedley II at Theatre Royal Stratford East
17th May - 15th June 2019
By J N Benjamin
“A snapshot of life”: J N Benjamin writes on August Wilson’s multi-faceted interrogation of Black American life in 1985 Pittsburgh.
26 May 2019
Reviews • West End & Central
Review: Our Town at Regent’s Park Open Air Theatre
16th May - 8th June 2019
By Rosemary Waugh
“One happy, happy community”: Rosemary Waugh writes on the stiflling smalltown mundanities of Thornton Wilder’s play.
23 May 2019
Reviews • West End & Central
Review: Anna at National Theatre
11th May - 15th June 2019
By Maddy Costa
“You can’t build a country on wants”: Maddy Costa writes on Ella Hickson’s play, feminism and capitalism.
22 May 2019
Reviews • National • Newcastle
Review: Deeds Not Words at Northern Stage, Newcastle
21 May
By Tracey Sinclair
Stark reminder: Tracey Sinclair writes on Abbot Dance Theatre’s commemoration of the women’s suffrage movement.
21 May 2019
Reviews • Bristol • National
Review: We Can Time Travel at Bristol Old Vic
16-18 May, then touring
By Lilith Wozniak
‘Irresistible forward momentum’: Lilith Wozniak reviews composer and theatre-maker Dom Coyote’s time-hopping storytelling show.
20 May 2019
Reviews • Brighton • National
Review: Séancers at Attenborough Centre for the Creative Arts, Brighton
16-17 May
By Henry Gleaden
Ritual resurrection: Henry Gleaden writes on Nigerian-American performance artist Jaamil Olawale Kosoko’s heady, emotional summoning of the Black dead.
19 May 2019
Reviews • Bristol • National
Review: Louder is Not Always Clearer at Bristol Old Vic
By Ben Kulvichit
Getting the message across: Ben Kulvichit writes on communication and clarity in Mr and Mrs Clark’s show made with deaf performer Jonny Cotsen.
19 May 2019
Reviews • OWE & Fringe
Review: Operation Mincemeat at New Diorama Theatre
By Ed Nightingale
Shipshape hilarity: Ed Nightingale reviews SpitLip’s WWII entirely entertaining comedy-musical.
17 May 2019
Reviews • Reviews • West End & Central
Review: White Pearl at Royal Court Theatre
By Frey Kwa Hawking
Pastel nightmares: Frey Kwa Hawking writes on a riotous exploration of skin-lightening and prejudice.
16 May 2019
Reviews • OWE & Fringe
Review: Rejoicing At Her Wondrous Vulva The Young Woman Applauded Herself at Ovalhouse
9-25 May
By Kate Wyver
Kate Wyver writes on Bella Heesom’s (pubic) hair-raisingly literal exploration of all things vulval.
16 May 2019
Reviews • OWE & Fringe
Review: Dido at Unicorn Theatre
11 May - 2 June
By J N Benjamin
‘I have never enjoyed a single opera I have ever seen’: JN Benjamin writes on English National Opera and the Unicorn’s production of Dido for young audiences.
13 May 2019
Reviews • OWE & Fringe
Review: Human Jam at Camden People’s Theatre
7-25 May
By Maddy Costa
Caring ‘for the complexity of social interconnection’: Maddy Costa writes on Human Jam, which excavates the impact of HS2 on Camden.
13 May 2019
Reviews • West End & Central
Review: Henry IV parts 1 & 2 and Henry V, at Shakespeare’s Globe
23rd April - 11th October 2019
By Brendan Macdonald
“Hot like gunpowder”: Brendan Macdonald writes on the Michelle-Terry-starring Henry triple bill that opens Shakespeare’s Globe’s summer season.
11 May 2019
Reviews • OWE & Fringe
Review: Die! Die! Die! Old People Die! at Battersea Arts Centre
8 - 25 May
By Emily Davis
‘It makes my bones ache to watch’: Emily Davis writes on Ridiculusmus’ show exploring ageing.