Rosemary Waugh reviews the premiere of Simon Longman’s brutal, bloody and foreboding rural play.
Sparkling moments and a bewildering storyline: Ka Bradley reviews The Guild of Misrule and Theatre Deli’s immersive show based on Peter Pan.
Renders the inevitable clichés ‘hollow and cartoonish’: Paul Hughes reviews The Araniello Show, on as part of NOW18.
Heart-ache: Miriam Gillinson reviews the West End transfer of Richard Eyre’s production of Eugene O’Neill.
Money or morals: Amy Borsuk reviews Sarah Burgess’s play set in a private equity firm.
Washed away: Wassail Theatre Company’s devised response to the 2013/14 floods plays with space and audience interaction.
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman’s play about five Betties
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
For audiences as much as artists: the UK’s largest dance festival for emerging choreographers offers up an eclectic triple-bill.
Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018
Bursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes’ play about growing up fast
27 years later: Rona Munro’s play’s focus has shifted since its premiere in 1991.
Revenge fantasies: two women craft stories for survival in this wonderfully noirish performance.
A very different Denmark: Paapa Essiedu’s Dane is emotive and intelligent.