Turning America inside-out: Lilith Wozniak on a ritualistic blend of politics and pop culture.
How to do meta better: Lucian Waugh reviews Lara Foot’s deeply compassionate play combining African storytelling with magic realism.
Once upon a time, I bought an ice rink… Rosemary Waugh reviews Suzanne Grotenhuis’s new show about heartbreak and ice-skates.
Mind the fake blood and bring cash for the bar: Ka Bradley reviews the latest show from Secret Studio Lab based on [redacted].
A defence, not an apology: Neil Dowden reviews Stockard Channing in Alexi Kaye Campbell’s dinner party drama.
Hannah Greenstreet reviews Futures Theatre’s passionate celebration of women’s football.
The horrible world of wellness: Lauren Mooney on Daniella Isaacs’ blistering one woman show about clean living.
All a bit shallow: Crystal Bennes feels there’s something missing in Richard Marsh’s messianic poetry play.
How do you mourn someone you have never met? – Hannah Greenstreet reviews Selina Thompson’s powerful interrogation of the legacy of slavery.
Suitable for lactose intolerances: Dylan Coburn Gray’s new romcom about online dating is sharp, satisfying and utterly cheese free.
The trouble with human progress: Crystal Bennes reviews New Diorama Theatre’s inspired take on Yuval Harari’s Sapiens.
The suffering of one or the agony of the many? Crystal Bennes on the complex moral dilemmas of Argonaut’s new play.
Lighting up: Rosemary Waugh reviews a new adaptation of Anton Chekhov’s On the Harmful Effects of Tobacco.
Snap your shag bands and dance to Steps: Rosemary Waugh reviews the Wardrobe Ensemble’s new show about New Labour.
Puzzling but enjoyable: Hannah Greenstreet on Antler’s bouncing tragi-comedy.