Jordan G. Teicher finds the image of photographer Alice Austen’s life a little too devoid of colour.
BenDeLaCreme goes through hell.
Rafi Mittlefehldt reviews an immersive theatre production in New York’s Korea Town inspired by the Divine Comedy.
Kev Berry goes on “a delirious, whiskey-fueled trip across the Wild West” with the all-female cast of Will Davis’s Men on Boats.
Nicole Serratore reviews a powerful drama about The Troubles and the victims of violence left in its wake.
Never trust a first impression: Gabe Cohn reviews a complex and thoughtful work by new playwright Anne Adams in NYC.
Befuddled narratives: Seth Simons reviews Pop Up Theatric’s performance in New York’s Financial District.
Wandering through the American Dream: Sarah Matusek reviews an immersive promenade piece about the many faces of America.
Assigning blame: Todd Backus reviews a play inspired by the life of political cartoonist Victor Weisz, as part of the Potomac Theatre Project’s new season.
This “silent” play got our NYC critics talking. Here’s Kev Berry, Molly Grogan and Nicole Serratore on the comic and metaphysical tensions of Ars Nova/Bess Wohl’s critically acclaimed production.
Ignore a previous correction: Sarah Matusek reviews Kim Davies’s new work about rape on US college campuses.
“Waterfalls of language”: Seth Simons reviews New Saloon’s experiment with six simultaneous translations of Uncle Vanya.
Peeling back layers of sorrow: Nicole Serratore reviews a new production by Theater Breaking Through Barriers.
Hailey Bachrach discovers a corner of forgotten Indian history in The Queen.
Seth Simons reviews this found-text variety show that sticks to the “wildly raunchy” of the Internet, in a good way.