“A general feeling of mystery to support its own vagueness”: Rafi Mittlefehldt reviews Cynthia von Buhler’s immersive theatre event.
Where’s the existential hokum? Seth Simons reviews Toast as part of Brits Off Broadway.
“Feverish and claustrophobic”: Loren Noveck reviews the staging of a lesser-known Tennessee Williams play.
The Young Vic’s 2014 production of “Streetcar” sounds a little tone deaf in its US premiere but strikes a nerve with its battle of the sexes, where Gillian Anderson delivers a Blanche DuBois we can root for.
The US premiere of “A Girl is a Half-formed Thing” continues the Corn Exchange’s winning streak with Eimear McBride’s scorching novel.
Soho Rep. gets comfy with Alice Birch’s feminist revolution.
Rafael Spregelburd opens Pandora’s box with SPAM. It couldn’t be more fun watching disaster strike.
The Mobile Unit of NYC upholds the belief that Shakespeare belongs to everyone.
“It’s a physical performance as much as a verbally dexterous one.” Nicole Serratore reviews David Tennant in Richard II.
Loren Noveck reviews Anne Washburn’s “unsettling and magically strange” new play in New York.
Nicole Serratore reviews a family play with its primary gaze on sibling relationships.
Seth Simons reviews the New York Shakespeare Exchange’s great Hamlet experiment.
Nicole Serratore reviews Adam Rapp’s show at The Flea Theater.
“It’s imperfect, of course, but its imperfections…are part of the whole.” Loren Noveck reviews Pan Pan Theatre Company’s take on Chekhov.
Patrick Maley reviews “a slow and meticulous” production of Sam Shepard’s 1979 Pulitzer winning play.