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West End & Central


Review: Bitter Wheat at Garrick Theatre
20 June 2019
Reviews • West End & Central

Review: Bitter Wheat at Garrick Theatre

7th June - 21st September
By Alice Saville

A bitter draft: Alice Saville reluctantly reviews David Mamet’s Weinstein play.


Review: Bronx Gothic at Young Vic
12 June 2019
Reviews • West End & Central

Review: Bronx Gothic at Young Vic

1-29th June 2019
By J N Benjamin

A mighty body quake: J N Benjamin writes on Okwui Okpokwasili’s pulsating experimental dance piece.


Review: Rutherford and Son at National Theatre
4 June 2019
Reviews • West End & Central

Review: Rutherford and Son at National Theatre

By Alice Saville

A room without a view: Alice Saville writes on the claustrophobic domesticity of Githa Sowerby’s play.


Review: Our Town at Regent’s Park Open Air Theatre
26 May 2019
Reviews • West End & Central

Review: Our Town at Regent’s Park Open Air Theatre

16th May - 8th June 2019
By Rosemary Waugh

“One happy, happy community”: Rosemary Waugh writes on the stiflling smalltown mundanities of Thornton Wilder’s play.


Review: Anna at National Theatre
23 May 2019
Reviews • West End & Central

Review: Anna at National Theatre

11th May - 15th June 2019
By Maddy Costa

“You can’t build a country on wants”: Maddy Costa writes on Ella Hickson’s play, feminism and capitalism.


Review: White Pearl at Royal Court Theatre
17 May 2019
Reviews • Reviews • West End & Central

Review: White Pearl at Royal Court Theatre

By Frey Kwa Hawking

Pastel nightmares: Frey Kwa Hawking writes on a riotous exploration of skin-lightening and prejudice.


Review: Henry IV parts 1 & 2 and Henry V, at Shakespeare’s Globe
13 May 2019
Reviews • West End & Central

Review: Henry IV parts 1 & 2 and Henry V, at Shakespeare’s Globe

23rd April - 11th October 2019
By Brendan Macdonald

“Hot like gunpowder”: Brendan Macdonald writes on the Michelle-Terry-starring Henry triple bill that opens Shakespeare’s Globe’s summer season.


Review: Death of a Salesman at Young Vic Theatre
10 May 2019
Reviews • West End & Central

Review: Death of a Salesman at Young Vic Theatre

1st May – 13th July
By Rosemary Waugh

“There’s a definite gloss to this staging” – Rosemary Waugh writes on Marianne Elliott and Miranda Cromwell’s West End-ready take on Arthur Miller’s story.


Review: Three Sisters at Almeida Theatre
18 April 2019
Reviews • West End & Central

Review: Three Sisters at Almeida Theatre

6 April - 1 June
By Rosemary Waugh

‘The kind of beauty that leaves you feeling a little hopeless’: Rosemary Waugh reviews Rebecca Frecknall’s production of Three Sisters.


Review: Top Girls at the National Theatre
5 April 2019
Reviews • West End & Central

Review: Top Girls at the National Theatre

By Hannah Greenstreet

“If Caryl Churchill can’t have a large cast, who can?”: Hannah Greenstreet’s tripartite response to Top Girls explores its place in the theatre canon.


Review: Jesus Hopped the ‘A’ Train, Young Vic
22 February 2019
Reviews • West End & Central

Review: Jesus Hopped the ‘A’ Train, Young Vic

By Verity Healey

‘Who has the freedom to force choices onto whom and why?’: Kate Hewitt’s new take on Stephen Adly Guirgis’s play questions the possibility of free will within the penal system, writes Verity Healey.


Review: Come From Away at Phoenix Theatre
18 February 2019
Reviews • West End & Central

Review: Come From Away at Phoenix Theatre

By Hailey Bachrach

Hope and pain: Hailey Bachrach writes on a hit musical following the fates of the ‘plane people’ who landed in Newfoundland, post 9/11.


Review: Superhoe at Royal Court
6 February 2019
Reviews • West End & Central

Review: Superhoe at Royal Court

By Frey Kwa Hawking

“A long, slow slide into horror after horror” – Frey Kwa Hawking writes on Nicôle Lecky’s narrative of a young woman suffocated by anxieties.


When we have sufficiently tortured each other, at the National Theatre
24 January 2019
Reviews • West End & Central

When we have sufficiently tortured each other, at the National Theatre

By Hannah Greenstreet

Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell’s phallocentric new exploration of gender roles.


Review: Coming Clean at Trafalgar Studios
14 January 2019
Reviews • West End & Central

Review: Coming Clean at Trafalgar Studios

By Frey Kwa Hawking

Fun on the side: Frey Kwa Hawking writes on Kevin Elyot’s debut play about nonmonogamy, as it transfers to Trafalgar Studios.


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