A vivid and colourful soundscape: Brendan Macdonald reviews the latest production from Silent Opera.
Creating a memory palace: Amelia Forsbrook reviews Robert Lepage’s play about the act of remembering.
A gothic vaudevillian circus: Francesca Peschier reviews Sally Cookson’s version of Fellini’s masterpiece.
So much heavy breathing: Ka Bradley reviews Darren Johnston’s new work at the Barbican.
Wall to wall pressure: Rosemary Waugh reviews Jack Thorne’s new version of Woyzeck.
Issue-driven theatre: Fergus Morgan reviews Charlotte Josephine’s play about internet porn.
Bringing ‘fun’ back to theatre: Bridget Minamore reviews Joe Wright’s extravagant and entertaining Life of Galileo.
Where we go when we fall and can’t get back up again: Gillian Greer reviews Inspector Sands’ show about the ageing process.
As breakneck as the best night out, as wild as you wish you’d been, as tender as a bruise: Lauren Mooney reviews a musical about teenage rebellion.
Bored by Hiddlesbum? Sally Hales does some manwatching at the Royal Court.
Drinking alone with Google Translate: Rosemary Waugh reviews part of the Sovremennik Theatre’s short season in London.
Disrobing the myth: Rosemary Waugh reviews Yaël Farber’s retelling of the story of Salomé.
A tenacious celebration of life: Brendan Macdonald watches all eight hours of Marianne Elliott’s much-hyped revival of Tony Kushner’s two-part gay fantasia on national themes.
The parallels with the contemporary world are frighteningly obvious in the Donmar’s production of Bertolt Brecht’s political satire.
Spectacular skill with nipple tassles: Sally Hales reviews Fancy Chance’s eclectic solo show in the heart of Soho.