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West End & Central


Review: High Fidelity at The Turbine Theatre
4 November 2019
Reviews • West End & Central

Review: High Fidelity at The Turbine Theatre

21st October - 7th December
By Ava Wong Davies

‘The plot has aged like milk’: Ava Wong Davies creates a mixtape review in response to the musical adaptation of Nick Hornby’s novel about an ‘insufferable music snob’.


Review: Dirty Crusty at the Yard Theatre
31 October 2019
Reviews • West End & Central

Review: Dirty Crusty at the Yard Theatre

24th October - 30th November
By Hannah Greenstreet

A difficult woman: Hannah Greenstreet writes on the too-familiar tropes exposed in Clare Barron’s narrative of love and ballet.


Review: Douglas, by Hannah Gadsby
30 October 2019
Reviews • West End & Central

Review: Douglas, by Hannah Gadsby

By Rose Johnstone

Rose Johnstone writes on the dog jokes and righteous fury of Hannah Gadsby’s new show, “Nanette’s even more rebellious and revolutionary sister”.


Review: Lungs at the Old Vic
21 October 2019
Reviews • West End & Central

Review: Lungs at the Old Vic

By Rosemary Waugh

“We’re good people right?” – Rosemary Waugh writes on the normal people of Duncan Macmillan’s climate change play.


Review: [BLANK] at the Donmar Warehouse
20 October 2019
Reviews • West End & Central

Review: [BLANK] at the Donmar Warehouse

11th October - 30th November
By Hannah Greenstreet

‘The gesture of care makes the performance feel suddenly more dangerous’: Hannah Greenstreet writes on Clean Break’s production of Alice Birch’s sharply experimental new play.


Review: A History of Water in the Middle East at Royal Court
15 October 2019
Reviews • West End & Central

Review: A History of Water in the Middle East at Royal Court

By Alice Saville

Drip, drip, drip: Alice Saville writes on Sabrina Mahfouz’s slow-building deluge of a show.


Review: Blood Wedding at Young Vic
7 October 2019
Reviews • West End & Central

Review: Blood Wedding at Young Vic

By Ava Wong Davies

“Heteronormativity…it’s a curse!”: Ava Wong Davies writes on Marina Carr and Yael Farber’s bloody, binary take on Lorca.


Review: ‘Master Harold’… and the Boys at National Theatre
7 October 2019
Reviews • West End & Central

Review: ‘Master Harold’… and the Boys at National Theatre

By J N Benjamin

Men of magnitude: J N Benjamin writes on Athol Fugard’s semi-autobiographical story of prejudice in a failing South African tea room.


Review: Glass. Kill. Bluebeard. Imp. at Royal Court
30 September 2019
Reviews • West End & Central

Review: Glass. Kill. Bluebeard. Imp. at Royal Court

18 September - 12 October
By Hannah Greenstreet

A web of allusions: Hannah Greenstreet unpicks the intricacies of Caryl Churchill’s four-play cycle.


Review: Faith, Hope & Charity at the National Theatre
19 September 2019
Reviews • West End & Central

Review: Faith, Hope & Charity at the National Theatre

By Verity Healey

People watching: Verity Healey writes on Alexander Zeldin’s compelling study of a community centre.


Review: A Very Expensive Poison at Old Vic
7 September 2019
Reviews • West End & Central

Review: A Very Expensive Poison at Old Vic

By Rosemary Waugh

Unreliable narratives: Rosemary Waugh writes on Lucy Prebble’s metatheatrical story of Litvinenko’s poisoning.


Review: Falsettos at The Other Palace Theatre
6 September 2019
Reviews • West End & Central

Review: Falsettos at The Other Palace Theatre

By Amy Borsuk

“Are we laughing with them? At them? What exactly is so funny?” Amy Borsuk writes on the awkward humour of Selladoor’s revival of Falsettos.


Review: The Son at Duke of York’s Theatre
5 September 2019
Reviews • West End & Central

Review: The Son at Duke of York’s Theatre

By Emily Davis

Pushing back the tide: Emily Davis writes on Florian Zeller’s study of depression.


Review: Hansard at National Theatre
5 September 2019
Reviews • West End & Central

Review: Hansard at National Theatre

By Simon Gwynn

Beat ’em up: Simon Gwynn writes on a pugnacious but uneven Tory party satire.


Review: Appropriate at Donmar Warehouse
4 September 2019
Reviews • West End & Central

Review: Appropriate at Donmar Warehouse

By J N Benjamin

A cryptic racism: J N Benjamin writes on Branden Jacobs-Jenkins’ haunting story, set on a cicada-ridden plantation.


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