Francesca Peschier writes on the swooshing skirts and sumptuous spectacle of this “commendably self-aware” revival of the Rodgers and Hammerstein classic.
‘Physical eloquence’: Freddie Machin reviews Circa’s latest creation.
Little nods to what you could become: Brendan Macdonald reviews Joe Harbot’s new show about striving for perfection.
Electric energy: Ed Nightingale review The Pappy Show at the New Diorama.
Minimalist, imaginative and wonderful: Ed Nightingale reviews The Backpack Ensemble at at the New Diorama.
‘A clean nightmare of screens and plush sofas’: Frey Kwa Hawking reviews Jemma Kennedy’s IVF play.
How to be a fox: Annegret Märten takes a nighttime walk as part of LIFT 2018.
‘Making a home out of and with each other’s bodies’: Frey Kwa Hawking reviews Wilson & Hart’s physical theatre work.
Sex robots and unrequited love: Frey Kwa Hawking reviews Malaprop Theatre at Incoming Festival
Show me the knottiness: Marc Pell’s gig-theatre show for nabokov doesn’t embrace its audience enough.
‘Theatre as a kind of utopia’: Duška Radosavljević reviews Taylor Mac as part of LIFT 2018.
‘Bodies fold into each other only to be ripped apart’: Rachel Nouchi reviews Nederlands Dans Theater performing four works by Sol León & Paul Lightfoot, Marco Goecke, and Crystal Pite.
Be not afeared: Iris Theatre’s promenade production is fun, if you take the rough with the smooth.
“Be a lady”: Maddy Costa reviews the Wooster Group’s staging of when Normal Mailer met with 1970s feminists.
Edges, borders, barbed wire: Cordelia Lynn’s bomb attack drama explores the ethics of keeping safe.