No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
Meaningful and lovely: Laura Wade’s exploration of ’50s domesticity swells into something surprisingly heartfelt.
Just your average guy… until he’s not: Rosemary Waugh reviews Claire van Kampen’s Othello.
Ian McKellan is exceptional in a King Lear that’s all about Lear.
‘The silliness, the fumbling, the mistakes’: Ava Davies reviews Company Three’s show about teenage love.
American dreaming: Rosemary Waugh reviews the story of the Lehman brothers.
Intricately drawn: Alice Saville on the soaring, beautiful musical adaptation of Alison Bechdel’s graphic novel.
A disordered kingdom: Ionesco’s play is an absurd meditation on mortality.
‘Raise a glass to theatre’: Ed Nightingale reviews the spoof version of Hamilton.
‘A celebration of the blood and guts’: Ka Bradley reviews Hofesh Shechter Company’s collaboration with over 100 young dancers.
Cloak and danger: Rosemary Waugh review Opera Holland Park’s revival of Mascagni’s version of the Lady Godiva myth.
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.
Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson’s moving adaptation of a story of grief.
Weighed down by human logistics: this immersive homage to Disney’s Fantasia is good fun, but limited by technology.