Reclaiming a poet: Rosemary Waugh reviews Morgan Lloyd Malcolm’s new play about Emilia Bassano.
Nabilah Said reviews Homos, Or Everyone in America, which is as inspiring and exhausting as watching lovers fight.
‘The bleak loneliness faced by the outcasts of society’: Nabilah Said reviews this one-man show about an illegal digital market place.
No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
Meaningful and lovely: Laura Wade’s exploration of ’50s domesticity swells into something surprisingly heartfelt.
Just your average guy… until he’s not: Rosemary Waugh reviews Claire van Kampen’s Othello.
Ian McKellan is exceptional in a King Lear that’s all about Lear.
‘The silliness, the fumbling, the mistakes’: Ava Davies reviews Company Three’s show about teenage love.
American dreaming: Rosemary Waugh reviews the story of the Lehman brothers.
Intricately drawn: Alice Saville on the soaring, beautiful musical adaptation of Alison Bechdel’s graphic novel.
A disordered kingdom: Ionesco’s play is an absurd meditation on mortality.
‘Raise a glass to theatre’: Ed Nightingale reviews the spoof version of Hamilton.
‘A celebration of the blood and guts’: Ka Bradley reviews Hofesh Shechter Company’s collaboration with over 100 young dancers.
Cloak and danger: Rosemary Waugh review Opera Holland Park’s revival of Mascagni’s version of the Lady Godiva myth.