The awkwardness of family dinners: Ava Davies reviews Stephen Karam’s Thanksgiving play.
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.
You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.
Makes a seemingly little play vast: Frey Kwa Hawking reviews the Public Acts production of Shakespeare’s Pericles.
Dealer’s choice: Brendan Macdonald on Ontroerend Goed’s interactive game about the world of banking.
Gravity and Other Myths’ new physical theatre piece Backbone showcases the beauty of working together.
Reclaiming a poet: Rosemary Waugh reviews Morgan Lloyd Malcolm’s new play about Emilia Bassano.
Nabilah Said reviews Homos, Or Everyone in America, which is as inspiring and exhausting as watching lovers fight.
‘The bleak loneliness faced by the outcasts of society’: Nabilah Said reviews this one-man show about an illegal digital market place.
No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
Meaningful and lovely: Laura Wade’s exploration of ’50s domesticity swells into something surprisingly heartfelt.
Just your average guy… until he’s not: Rosemary Waugh reviews Claire van Kampen’s Othello.
Ian McKellan is exceptional in a King Lear that’s all about Lear.
‘The silliness, the fumbling, the mistakes’: Ava Davies reviews Company Three’s show about teenage love.