Heart-ache: Miriam Gillinson reviews the West End transfer of Richard Eyre’s production of Eugene O’Neill.
Money or morals: Amy Borsuk reviews Sarah Burgess’s play set in a private equity firm.
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman’s play about five Betties
Thanks, Miranda: our intrepid space explorer dies a horrific death in this escape room experience.
A kiss that might just turn into a bite: Lolo Brow is at her sexy, seditious best at The Vaults.
Absurdity in the commonplace: Ka Bradley reviews the Jakop Ahlbom Company, as part of London Mime Festive 2018
Bursting bubbles: Rosemary Waugh reviews Sarah McDonald-Hughes’ play about growing up fast
Revenge fantasies: two women craft stories for survival in this wonderfully noirish performance.
This is sounding like a history lesson: Rob Icke’s Almeida production offers contemporary parallels galore.
A case study in miscalculation: Henry Darke’s new play forgets to check its privilege.
The horror! The horror! Dominic Allen and Simon Maeder dive into the weird world of HP Lovecraft.
Rage against the machine: Magali Rousseau is upstaged by her mechanical menagerie.
The world’s largest game of Jenga: Nacho Flores’ delicate exploration of a cubist landscape.
Queens of Crime: this music hall melodrama eschews subtlety and sensitivity.
Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation.