Cave-man fervour: Francesca Peschier reviews a one-man musical about Fathers4Justice.
Lively and refreshing: Rachel Elderkin reviews the New English Ballet Theatre performing The Four Seasons and Other Modern Ballets.
“It’s hack-work, pure and simple”: Stewart Pringle on Julian Fellowes’ insipid musical version of Kenneth Grahame’s classic.
We too are thieves: Brendan Macdonald reviews Audra McDonald as Billie Holiday.
Britain’s best-selling fish-and-chip-wrapper: Fergus Morgan reviews James Graham’s new play about the Sun.
Add a cupboardful of theatrical tropes: Hannah Greenstreet writes a recipe review of Steve Rogers’ play, which is set in a takeaway.
Arjun Sajip reviews de Roovers’ eccentric but fun version of Arthur Miller.
An empty philosophical exercise: Corrie Tan isn’t impressed by the “flat, dry” UK premiere of Ferdinand von Schirach’s globe-trotting interactive play.
It’s all me, me, me: Miriam Gillinson reviews Branden Jacobs-Jenkins’ play set in the publishing industry.
A fragrant physical echo chamber: Anna Winter reviews a mixed bill of works performed by the Richard Alston Dance Company.
Heartache: Rafaella Marcus reviews Kneehigh Theatre at the Globe.
The here and now: William Drew reviews the transfer of Robert Icke’s Hamlet to the Harold Pinter Theatre.
The millennial sense of entitlement: Brendan Macdonald reviews Poor Michelle as part of Incoming Festival 2017.
A stand-up tragedy act: Brendan Macdonald reviews Pub Corner Poets at Incoming Festival 2017.
Gruff grunts, brash insults and fisticuffs: Brendan Macdonald reviews Theatre N16’s production of John Patrick Shanley’s play.