Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey’s new play.
Wild and beautiful: Frey Kwa Hawking writes on Sally Cookson’s moving adaptation of a story of grief.
Weighed down by human logistics: this immersive homage to Disney’s Fantasia is good fun, but limited by technology.
A bumpy ride: Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.
“It was nice while it lasted”: Max Webster’s uncomplicated production is rudely interrupted by a certain Mr Donald Trump.
“Amazing what can happen when you don’t just programme white people” – Ava Davies on the humming energy of a show made by femmes of colour.
‘Blunt, sparse, and deeply seductive’: Freddie Machin reviews an evening of the music suppressed by the Nazis.
A fictitious, dreamlike vision of Ireland: Michael Grandage’s Martin McDonagh revival loses its way amid all the blood.
A dance, of sorts: Unpolished Theatre’s surging, feverish show explores East End working class experience.
Futility and horror: Ava Davies on a revived WWI drama, and the strange way the war sits in our national consciousness.
Immersive doesn’t begin to cover it: the West End transfer of Good Chance’s refugee drama is electrifying in its intimacy and honesty.
Francesca Peschier writes on the swooshing skirts and sumptuous spectacle of this “commendably self-aware” revival of the Rodgers and Hammerstein classic.
‘Physical eloquence’: Freddie Machin reviews Circa’s latest creation.
Little nods to what you could become: Brendan Macdonald reviews Joe Harbot’s new show about striving for perfection.
Electric energy: Ed Nightingale review The Pappy Show at the New Diorama.