A craft that takes us into death.
Andrew Sheridan’s bruising debut.
Hate and the 1980s.
Fun-filled, but fails to take flight.
Pedro Miguel Rozo’s family parable.
Robert Lepage’s ravishing spin-off.
Spunky, but doesn’t quite fill the pool.
Bold and unsettling.
Murder most Ayckbourn.
Adam Gwon’s fairytale of New York
Dense, prismatic, powerful.
The kinetic scream of Chekhov’s asylum.
A comic crack at climate change scepticism.
Analogue’s ripple effect
Small-scale Sondheim in Southwark