Helena Kaut-Howson’s fresh and fluid production.
Site-specific Shakespeare from Belt Up.
Victorian sex scandal with songs.
Rona Munro touches the stars.
Romeo Castellucci shoots the shit.
Philip Ridley’s explosive exploration of love.
A place-responsive recipe for disaster
A David Mamet double bill.
Macabre music hall with Les Enfants Terribles.
Giving voice to a community.
A biblical revival.
Sophocles gets dark, bloody and anguished.
Pinter’s late play burnished with age.
Mark O’Rowe writes like a frothing, dying horse.
Fringe theatre goes pop.