Francesca Peschier has a long, hard think about why she didn’t like this.
Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests’ human-focused dance work
Sophocles…but make it punk: Francesca Peschier reviews DumbWise Theatre’s take on a classic.
Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company’s dance adaptation of Shakespeare’s tragedy
The Pippin Problem: this fresh revival of Stephen Schwartz’s musical is too tentative.
Woolf remains uncracked: Holly Williams on a pair of monologues exploring two very different historical women’s lives.
Sculptural contortion, poise, balance and strength: Amelia Forsbrook reviews a final triple bill of shows at The Place’s annual festival of new dance
Flank, thigh and back: Henry Gleaden reviews Milly Thomas’s one-woman play about the aftermath of a suicide
Ed Clark reviews a post-Brexit leaving party.
This accumulation of Stuff: Ava Davies reviews Jude Christian’s production of Falk Richter’s play about broken relationships and broken capitalism
NO FUTURE: Brendan Macdonald reviews Chris Goode’s stage version of Derek Jarman’s Jubilee
Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe’s show about Female Sexual Dysfunction
A new year’s resolution well kept: Amelia Forsbrook reviews a triple bill of works at The Place’s annual festival of new dance.
An attempt to articulate: Henry Gleaden reviews Rachel Bagshaw and Chris Thorpe’s show about Complex Regional Pain Syndrome.
The profound absurdity of identity: Told By An Idiot’s new show makes Napoleon feel very British.