Clam jam: Izzy Tennyson’s play is a grimy, intriguing look at Dalston’s lesbian party scene.

Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey’s solo set into words.

Francesca Peschier reviews Hideki Noda’s “utterly bizarre gender-bending kaleidoscopic piece of work”.

Hydraulic elegance: Anna Winter reviews Balletboyz and their programme of four works created in fourteen days.

Ramps on the Moon’s Deaf and disabled-led revision of a classic doesn’t go far enough, writes Amelia Cavallo.

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography

An all too real horror story: Ka Bradley reviews DeNada Dance Theatre’s radical rewrite of the famous fairytale

A humanist affair: Frey Kwa Hawking reviews Dom Coyote’s new solo work

Abstract and emotionally rich: Ka Bradley reviews a double bill of new dance works ‘A Night’s Game’ and ‘TERRA’

From death to rebirth: Lee Anderson reviews Marion Bott’s new play about modern life in Berlin. [CW: Suicide]

The mysteries of love: Hailey Bachrach reviews Matthew Lyons’ puzzling, Shakespeare-inspired verse romance.

Right-sized reactions to the world: Rosemary Waugh reviews Ella Hickson’s The Writer