Francesca Peschier has a long, hard think about why she didn’t like this.

Bodies for sale: Rosemary Waugh reviews Sasha Waltz & Guests’ human-focused dance work

Sophocles…but make it punk: Francesca Peschier reviews DumbWise Theatre’s take on a classic.

Night clubbers, taxidermy and a decapitated head in a box: Ka Bradley reviews the Marc Bruce Company’s dance adaptation of Shakespeare’s tragedy

Woolf remains uncracked: Holly Williams on a pair of monologues exploring two very different historical women’s lives.

Sculptural contortion, poise, balance and strength: Amelia Forsbrook reviews a final triple bill of shows at The Place’s annual festival of new dance

Flank, thigh and back: Henry Gleaden reviews Milly Thomas’s one-woman play about the aftermath of a suicide

Ed Clark reviews a post-Brexit leaving party.

This accumulation of Stuff: Ava Davies reviews Jude Christian’s production of Falk Richter’s play about broken relationships and broken capitalism

NO FUTURE: Brendan Macdonald reviews Chris Goode’s stage version of Derek Jarman’s Jubilee

Come for the fringe theatre, stay for the free lube: Rosemary Waugh reviews Fran Bushe’s show about Female Sexual Dysfunction

A new year’s resolution well kept: Amelia Forsbrook reviews a triple bill of works at The Place’s annual festival of new dance.

An attempt to articulate: Henry Gleaden reviews Rachel Bagshaw and Chris Thorpe’s show about Complex Regional Pain Syndrome.