The Joe Hill-Gibbins Problem: Sally Hales reflects on Marivaux’s eighteenth-century rom-com.
Old habits die hard: Fergus Morgan reviews Cressida Carrré’s all-female production of Posh.
A wet mist or haze coming inland from the sea: Arjun Sajip reviews Tallulah Brown’s new play at the Old Red Lion.
A heavy hangover from the 70s: Holly O’Mahony reviews the revival of The Life at Southwark Playhouse.
The opening and shutting of doors: Daniel Perks reviews David Henry Hwang’s comedy about Americans doing business in China.
As darkly sexual and symbolically rich as an Angela Carter story: Ka Bradley reviews the ENB’s triple bill including Pina Bausch’s The Rite of Spring.
“Home is not where you are born; home is where all your attempts to escape cease.” Daniel Perks reviews Inua Ellam’s spoken word performance.
First love: Holly O’Mahony reviews Stephen Laughton’s play about identity and loss.
Honest and brave: Rachel Elderkin reviews Company Chameleon’s new double bill exploring metal health and bipolar disorder.
The juvenile nature of war: Corrie Tan reviews Yellow Earth Theatre’s production of Tamburlaine.
Deliberately timeless: Francesca Street reviews Matthew Whittet’s “hopeful, nostalgic love letter to adolescence”.
Southern Spain is miraculously delivered to south London: Anna Winter reviews Flamenco Express in Peckham.
“Here is a space, a space to make.” Ka Bradley reviews James Cousins’ take on As You Like It.
Beige bodystockings and Super Ted: Anna Winter reviews a new triple bill of works danced by Sergei Polunin at Sadler’s Wells.
A beautiful, addictive world: Rebecca Latham reviews April de Angelis’s adaptation of Elena Ferrante’s Neapolitan novels.