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OWE & Fringe


Review: When The Crows Visit at Kiln Theatre
3 November 2019
Reviews • OWE & Fringe

Review: When The Crows Visit at Kiln Theatre

28th October - 30th November
By Verity Healey

Toxic legacies: Verity Healey writes on cycles of gendered violence in Anupama Chandrasekhar’s reimagining of Ibsen’s Ghosts.


Review: Germ Free Adolescent at the Bunker
1 November 2019
Reviews • OWE & Fringe

Review: Germ Free Adolescent at the Bunker

By Lily Levinson

Pass it on: Lily Levinson writes on Natalie Mitchell’s kind-hearted play about OCD and teen relationships.


Review: Botticelli in the Fire, Hampstead Theatre
28 October 2019
Reviews • OWE & Fringe

Review: Botticelli in the Fire, Hampstead Theatre

18 October - 23 November
By Frey Kwa Hawking

Art, out of context: Frey Kwa Hawking writes on Jordan Tannahill’s look at queer sexuality and censorship in Renaissance Florence.


Review: Vassa at Almeida Theatre
24 October 2019
Reviews • OWE & Fringe

Review: Vassa at Almeida Theatre

By Ava Wong Davies

A bloodless revolution: Ava Wong Davies writes on Mike Bartlett and Tinuke Craig’s underpowered take on Gorky’s political satire.


Review: Little Baby Jesus at Orange Tree Theatre
23 October 2019
Reviews • OWE & Fringe

Review: Little Baby Jesus at Orange Tree Theatre

18 October - 16 November
By Ava Wong Davies

Ava Wong Davies writes on Tristan Fynn-Aiduenu’s production of Arinzé Kene’s play about teenagers on the cusp of adulthood, which ‘fizzes and froths like a half-drunk bottle of Coke’.


Review: Out of Sorts at Theatre 503
21 October 2019
Reviews • OWE & Fringe

Review: Out of Sorts at Theatre 503

9th October - 2nd November
By Maddy Costa

Becoming universal: Maddy Costa writes on Danusia Samal’s new play, a ‘familiar, homely and true’ exploration of its characters’ tangled identities.


Review: for all the women who thought they were Mad at Stoke Newington Town Hall
20 October 2019
Reviews • OWE & Fringe

Review: for all the women who thought they were Mad at Stoke Newington Town Hall

By Ava Wong Davies

Teetering on the verge: Ava Wong Davies reviews Zawe Ashton’s poetic play exploring black women’s experiences of mental health issues.


Review: Hard to Be Soft; Hope Hunt/ The Ascension into Lazarus
18 October 2019
Reviews • OWE & Fringe

Review: Hard to Be Soft; Hope Hunt/ The Ascension into Lazarus

10th October
By Ka Bradley

The real deal: Ka Bradley writes on three dance pieces by Oona Doherty, exploring masculinity and working-class communities in Northern Ireland.


Review: Out of Order at the Southbank Centre
17 October 2019
Reviews • OWE & Fringe

Review: Out of Order at the Southbank Centre

12-14 October
By Ben Kulvichit

The tears of a clown: Ben Kulvichit writes on the poignant chaos of Forced Entertainment’s new show.


Review: Mephisto [A Rhapsody] at Gate Theatre
10 October 2019
Reviews • OWE & Fringe

Review: Mephisto [A Rhapsody] at Gate Theatre

3-26th October
By Frey Kwa Hawking

‘How far does self-awareness get us?’ Frey Kwa Hawking writes on Samuel Gallet’s metatheatrical skewering of the theatre industry.


Review: Femme Fatale at Omnibus Theatre
10 October 2019
Reviews • OWE & Fringe

Review: Femme Fatale at Omnibus Theatre

8 - 27th October
By Lily Levinson

‘Spit in my face’: Lily Levinson writes on Polly Wiseman’s new play that imagines a meeting between Valerie Solanas and Nico.


Review: We Dig at Ovalhouse
9 October 2019
Reviews • OWE & Fringe

Review: We Dig at Ovalhouse

By Frey Kwa Hawking

‘We’re already in the dirt’: Frey Kwa Hawking writes on Emma Frankland’s performance demolition of Ovalhouse, made with a company of transfeminine artists.


Review: We Anchor in Hope at Bunker Theatre
7 October 2019
Reviews • OWE & Fringe

Review: We Anchor in Hope at Bunker Theatre

25 September - 19 October
By Brendan Macdonald

Last orders: Brendan Macdonald reviews Anna Jordan’s play that transforms the Bunker into a working pub.


Review: Shuck n Jive at Soho Theatre
6 October 2019
Reviews • OWE & Fringe

Review: Shuck n Jive at Soho Theatre

2 - 26 October
By Emily Davis

‘What does it mean to write a play about race?’ Emily Davis writes on Cassiopeia Berkeley-Agyepong and Simone Ibbett-Brown’s knotty, metatheatrical play.


Review: Our Lady of Kibeho at Theatre Royal Stratford East
4 October 2019
Reviews • OWE & Fringe

Review: Our Lady of Kibeho at Theatre Royal Stratford East

25 September - 2 November
By Sally Hales

‘A quiet warning that it’s wise to believe women, even when doing so challenges your worldview’: Sally Hales writes on Katori Hall’s play about the visions of three Rwandan school girls.


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