The profound absurdity of identity: Told By An Idiot’s new show makes Napoleon feel very British.
OWE & Fringe
23 February 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Ken at The Bunker
January 24 - February 24
By Francesca Peschier
If in doubt, get naked and jump on the table: Terry Johnson’s tribute to Ken Campbell has lessons for life as well as theatre.
22 February 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: The Droves at CoLab Factory
February 17 - February 24
By Ka Bradley
Where the wild things are: Coney’s new show immerses you in the imaginations of children.
21 February 2018
Reviews • OWE & Fringe
Review: Juliet and Romeo at the Battersea Arts Centre
14 - 24 February, and then until 3 March at The Place
By Rosemary Waugh
The aches and pains of long-term love: Rosemary Waugh reviews Lost Dog’s new show about Shakespeare’s lovers all grown up.
19 February 2018
Reviews • OWE & Fringe
Review: I Have a Mouth and I Will Scream at Vault Festival 2018
14 - 18 February 2018
By Hannah Greenstreet
‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.
19 February 2018
Reviews • OWE & Fringe
Review: The B*easts at Bush Theatre
19 February - 3 March 2018
By Brendan Macdonald
The myth of childhood innocence: Brendan Macdonald reviews Monica Dolan’s monologue about a mother giving her child what she thinks she wants.
19 February 2018
Reviews • OWE & Fringe
Review: Angry at Southwark Playhouse
14 February - 10 March 2018
By Simon Gwynn
Remains thoroughly caffeinated: Simon Gwynn reviews Philip Ridley’s new series of six monologues.
17 February 2018
Reviews • OWE & Fringe
Review: If We Got Some More Cocaine I Could Show You How I Love You at Vault Festival 2018
Until 25 February 2018
By Francesca Peschier
Francesca Peschier reviews John O’Donovan’s “envy-inducing” debut play, in all its “butterfly brilliance”.
13 February 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: JOY at VAULT Festival
February 10 - February 11
By Francesca Peschier
You don’t get it, but you listen: all good artists are dead’s second show is an incomprehensible rave.
13 February 2018
Reviews • OWE & Fringe
Review: Pluto at the Barbican
8 - 11 February 2018
By Rosemary Waugh
A discombobulatingly epic bit of stage design: Rosemary Waugh reviews the theatre version of Astro Boy
13 February 2018
Reviews • OWE & Fringe
Review: Boys at Vault Festival 2018
7 - 11 February 2018
By Henry Gleaden
I’ve met these blokes before. Each of them a different type of man: Henry Gleaden responds to Boys at Vaults.
12 February 2018
Reviews • OWE & Fringe
Review: Mad as Hell at Jermyn Street Theatre
Until 24 February 2018
By Francesca Peschier
Don’t try and tell us it’s his jive dancing: Francesca Peschier reviews Cassie McFarlane & Adrian Hope’s play about Eletha Barrett and Peter Finch
12 February 2018
Reviews • OWE & Fringe
Review: NOW18: Week 4 at The Yard
6 - 10 February 2018
By Rosemary Waugh
Sexting with James Joyce: Rosemary Waugh reviews My Kind of Michael and Your Sexts Are Shit, as part of NOW18.
10 February 2018
Reviews • OWE & Fringe
Review: The Drill at Battersea Arts Centre
5 - 17 February 2018
By Nabilah Said
The line between real and fake: Nabilah Said reviews Breach Theatre’s new work about preparing for an emergency.
9 February 2018
Reviews • London Theatre • OWE & Fringe • Reviews
Review: Be Prepared at VAULT Festival
February 7 - February 11
By Nathan Lucky Wood
Wrong number: Ian Bonar’s hundred-mile-an-hour show could benefit from some silence.