Dream on: Rosemary Waugh reviews a new work-in-progess from The Plasticine Men about selling cars to the Indian market

Defiance as superpower: Freddie Machin reviews Rachael Young’s new show about Afrofuturism and the cult of Grace Jones

“Get ready to get wet.” Freddie Machin reviews a bath-themed circus show

Awe-inspiring noise: Lilith Wozniak reviews a four and a half hour triple bill of spoken word and intense sounds from Chris Brett Bailey.

Clam jam: Izzy Tennyson’s play is a grimy, intriguing look at Dalston’s lesbian party scene.

Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey’s solo set into words.

Francesca Peschier reviews Hideki Noda’s “utterly bizarre gender-bending kaleidoscopic piece of work”.

Hydraulic elegance: Anna Winter reviews Balletboyz and their programme of four works created in fourteen days.

Ramps on the Moon’s Deaf and disabled-led revision of a classic doesn’t go far enough, writes Amelia Cavallo.

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels’ play about sexism and pornography

An all too real horror story: Ka Bradley reviews DeNada Dance Theatre’s radical rewrite of the famous fairytale

A humanist affair: Frey Kwa Hawking reviews Dom Coyote’s new solo work