Taylor Swift and suburban marriages: Frey Kwa Hawking reviews the UK premiere of Mary Laws’ play about a family breakfast gone wrong.

A strange sterility: Anna Winter reviews a new work for Rambert by choreographer Kim Brandstrup.

Charming, inventive and beautiful: Lauren Mooney reviews the return of a WWI-set Peter Pan to the Open Air Theatre.

Inappropriate texts: Frey Kwa Hawking on a disconcerting play about the impact of rape accusations.

‘Bed-ridden with everything except a husband’: Amelia Forsbrook reviews the ROH’s ballet about the last Tudor on the throne.

A celebration of the power of music to hold and communicate human history: Maddy Costa reviews a cabaret of songs banned by the Nazis.

Dream on: Rosemary Waugh reviews a new work-in-progess from The Plasticine Men about selling cars to the Indian market

Defiance as superpower: Freddie Machin reviews Rachael Young’s new show about Afrofuturism and the cult of Grace Jones

“Get ready to get wet.” Freddie Machin reviews a bath-themed circus show

Awe-inspiring noise: Lilith Wozniak reviews a four and a half hour triple bill of spoken word and intense sounds from Chris Brett Bailey.

Clam jam: Izzy Tennyson’s play is a grimy, intriguing look at Dalston’s lesbian party scene.

Tongued into submission: Francesca Peschier tries to put the joy of Chris Brett Bailey’s solo set into words.