Revolutionary acts: Henry Gleaden on Nadia Fall’s alarmingly current-feeling first show as AD at Theatre Royal Stratford East.
The beauty of brotherhood: J N Benjamin reviews the stage adaptation of Chigozie Obioma‘s novel.
Nabilah Said’s twin cinema review of Arinzé Kene’s powerful solo show.
Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.
Hailey Bachrach reviews a flapper-era adaptation of Shakespeare’s comedy.
Youth and age, past and future: Verity Healey reviews Vinay Patel’s new play about an Indian couple and their route to London via Kenya.
Middle class problems: Francesca Peschier writes on Alexis Zegerman’s exploration of rules, religion, and cultural legacy.
A dress rehearsal for an ideal world: Nabilah Said reviews a musical about three generations of the same family.
The awkwardness of family dinners: Ava Davies reviews Stephen Karam’s Thanksgiving play.
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.
Dealer’s choice: Brendan Macdonald on Ontroerend Goed’s interactive game about the world of banking.
No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
‘The silliness, the fumbling, the mistakes’: Ava Davies reviews Company Three’s show about teenage love.
‘Raise a glass to theatre’: Ed Nightingale reviews the spoof version of Hamilton.