Me, Also Me, Placatory Me, Non-Judgemental Me and Impatient Me: Maddy Costa on Chris Thompson’s new play about surrogacy.
Who said what? Francesca Peschier reviews Terry Johnson’s play featuring Albert Einstein and Marilyn Monroe.
“Kept separate by the chasm of the centuries”: Daniel Perks reviews Elizabeth Kuti’s trio of detached monologues set on the Suffolk Coast at Finsbury Park’s Park Theatre.
Simeon loves Marcia loves Konstantin loves Nina loves Boris loves Irina loves herself: Annegret Marten reviews Simon Stephens’ new version of Chekhov.
Good state-of-the-nation stuff: Fergus Morgan reviews Mike Bartlett’s new play at the Almeida.
Plenty to unpick: Anna Winter reviews Shobana Jeyasingh’s take on Marius Petipa’s La Bayadere.
There’s more to life than life on earth: Francesca Peschier reviews Andrew Thompson’s new play about space travel and families.
The duality of space, or how not to catch a Lapras: Ka Bradley reviews Charlotte Spencer Projects’ immersive piece on a disused site near London City Airport.
The miracle of unburdening yourself: Hailey Bachrach reviews Angela Clerkin’s “gothic fairytale”.
“Like stumbling, joyously stoned, through Camden Market”: Francesca Peschier takes a trip into The Vaults to review Johnathan O’Boyle’s fully immersive revival of Hair.
Sex in a mouse onesie: Francesca Peschier reviews a new comedy by David Ireland.
If you just really, really want to run around pretending you’re a vampire, this is for you: Ka Bradley reviews immersive theatre by Hammer House of Horror.
Data-inspired dance: Anna Winter reviews the latest work from Company Wayne McGregor, inspired by mapping the human genome.
The hands and their gaze: Rohanne Udall a performance of three works by Hema Bharathi Palani, Ronita Mookerji and Emma Jayne Park.
Accessible but not patronising: Francesca Peschier reviews Chino Odimba’s adaptation of Oliver Twist for teenagers.