All aboard the Hades Express: Freddie Machin reviews an immersive dining experience promising to take you to hell and back.
A frozen horizon: Josephine Balfour-Oatts writes on a dance-theatre piece about life on a remote lighthouse.
A modern take on an old story: Nabilah Said reviews Nessah Muthy’s version of One Thousand and One Nights.
Nothing else on stage other than her pain: William Drew reviews Jean Cocteau’s end-of-a-realtionship monologue.
Document open, review jump out… Nabilah Said reviews Polarbear’s one-man show about how to tell a story.
Wine, dine, smash the gender binary: Freddie Machin on Shotgun Carousel’s Bacchic dinner-theatre experience.
Pleasure-seeking animals: Ben Okri’s play is a visceral, accessible take on Albert Camus’s existentialist classic.
Revolutionary acts: Henry Gleaden on Nadia Fall’s alarmingly current-feeling first show as AD at Theatre Royal Stratford East.
The beauty of brotherhood: J N Benjamin reviews the stage adaptation of Chigozie Obioma‘s novel.
Nabilah Said’s twin cinema review of Arinzé Kene’s powerful solo show.
Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.
Hailey Bachrach reviews a flapper-era adaptation of Shakespeare’s comedy.
Youth and age, past and future: Verity Healey reviews Vinay Patel’s new play about an Indian couple and their route to London via Kenya.
Middle class problems: Francesca Peschier writes on Alexis Zegerman’s exploration of rules, religion, and cultural legacy.
A dress rehearsal for an ideal world: Nabilah Said reviews a musical about three generations of the same family.