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OWE & Fringe


Review: Journey to the Underworld at Pedley Street Station
29 September 2018
Reviews • OWE & Fringe

Review: Journey to the Underworld at Pedley Street Station

28 September– 4 November 2018
By Freddie Machin

All aboard the Hades Express: Freddie Machin reviews an immersive dining experience promising to take you to hell and back.


Review: The Point of Echoes at The Place
24 September 2018
Reviews • OWE & Fringe

Review: The Point of Echoes at The Place

20 - 22 September 2018
By Josephine Balfour-Oatts

A frozen horizon: Josephine Balfour-Oatts writes on a dance-theatre piece about life on a remote lighthouse.


Review: Arabian Nights at Hoxton Hall
24 September 2018
Reviews • OWE & Fringe

Review: Arabian Nights at Hoxton Hall

12 September - 13 October 2018
By Nabilah Said

A modern take on an old story: Nabilah Said reviews Nessah Muthy’s version of One Thousand and One Nights.


Review: The Human Voice at The Gate Theatre
24 September 2018
Reviews • OWE & Fringe

Review: The Human Voice at The Gate Theatre

13 September – 6 October 2018
By William Drew

Nothing else on stage other than her pain: William Drew reviews Jean Cocteau’s end-of-a-realtionship monologue.


Review: Mouth Open, Story Jump Out at the Unicorn Theatre
22 September 2018
Reviews • OWE & Fringe

Review: Mouth Open, Story Jump Out at the Unicorn Theatre

18 September - 27 October 2018
By Nabilah Said

Document open, review jump out… Nabilah Said reviews Polarbear’s one-man show about how to tell a story.


Review: Divine Proportions at The Vaults
21 September 2018
Reviews • OWE & Fringe

Review: Divine Proportions at The Vaults

14th September - 12th January
By Freddie Machin

Wine, dine, smash the gender binary: Freddie Machin on Shotgun Carousel’s Bacchic dinner-theatre experience.


Review: The Outsider at Print Room
21 September 2018
Reviews • OWE & Fringe

Review: The Outsider at Print Room

Until 20th October
By Simon Gwynn

Pleasure-seeking animals: Ben Okri’s play is a visceral, accessible take on Albert Camus’s existentialist classic.


Review: The Village at Theatre Royal Stratford East
21 September 2018
Reviews • OWE & Fringe

Review: The Village at Theatre Royal Stratford East

Friday 7 September - Saturday 6 October 2018
By Henry Gleaden

Revolutionary acts: Henry Gleaden on Nadia Fall’s alarmingly current-feeling first show as AD at Theatre Royal Stratford East.


Review: The Fishermen at Arcola Theatre
21 September 2018
Reviews • OWE & Fringe

Review: The Fishermen at Arcola Theatre

17 - 22 September 2018
By J N Benjamin

The beauty of brotherhood: J N Benjamin reviews the stage adaptation of Chigozie Obioma‘s novel.


Review: Misty at the Bush Theatre
17 September 2018
Reviews • OWE & Fringe

Review: Misty at the Bush Theatre

Until 20 October 2018
By Nabilah Said

Nabilah Said’s twin cinema review of Arinzé Kene’s powerful solo show.


Review: Pure Dance at Sadler’s Wells
17 September 2018
Reviews • OWE & Fringe

Review: Pure Dance at Sadler’s Wells

12 - 16 September 2018
By Rosemary Waugh

Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.


Review: Twelfth Night at Wilton’s Music Hall
15 September 2018
Reviews • OWE & Fringe

Review: Twelfth Night at Wilton’s Music Hall

12 - 22 September 2018
By Hailey Bachrach

Hailey Bachrach reviews a flapper-era adaptation of Shakespeare’s comedy.


Review: An Adventure at Bush Theatre
15 September 2018
Reviews • OWE & Fringe

Review: An Adventure at Bush Theatre

Until 20 October 2018
By Verity Healey

Youth and age, past and future: Verity Healey reviews Vinay Patel’s new play about an Indian couple and their route to London via Kenya.


Review: Holy Sh!t at Kiln Theatre
13 September 2018
Reviews • OWE & Fringe

Review: Holy Sh!t at Kiln Theatre

By Francesca Peschier

Middle class problems: Francesca Peschier writes on Alexis Zegerman’s exploration of rules, religion, and cultural legacy.


Review: Unexpected Joy at Southwark Playhouse
11 September 2018
Reviews • OWE & Fringe

Review: Unexpected Joy at Southwark Playhouse

5 - 29 September 2018
By Nabilah Said

A dress rehearsal for an ideal world: Nabilah Said reviews a musical about three generations of the same family.


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