Underpowered revival of Robert Thomas’ play.
Schnitzler’s sexual tangle set in a gay bar.
Theatre takes a stand.
An oblique approach to the Columbine Massacre.
God on the line.
Inside the mind of a suicide bomber.
A taste of things to come.
Vivienne Franzmann’s bold new play.
Kureishi’s break-through screenplay on stage.
Man walks into a pub.
Tennessee Williams, previously unperformed.
Caryl Churchill’s fragmented Fenland hymn.
The return of Kneehigh’s sublime production.
A history of violence.
Art, disability and the Olympics.