A dance, of sorts: Unpolished Theatre’s surging, feverish show explores East End working class experience.
Futility and horror: Ava Davies on a revived WWI drama, and the strange way the war sits in our national consciousness.
‘Physical eloquence’: Freddie Machin reviews Circa’s latest creation.
Little nods to what you could become: Brendan Macdonald reviews Joe Harbot’s new show about striving for perfection.
Electric energy: Ed Nightingale review The Pappy Show at the New Diorama.
Minimalist, imaginative and wonderful: Ed Nightingale reviews The Backpack Ensemble at at the New Diorama.
‘A clean nightmare of screens and plush sofas’: Frey Kwa Hawking reviews Jemma Kennedy’s IVF play.
How to be a fox: Annegret Märten takes a nighttime walk as part of LIFT 2018.
‘Making a home out of and with each other’s bodies’: Frey Kwa Hawking reviews Wilson & Hart’s physical theatre work.
Sex robots and unrequited love: Frey Kwa Hawking reviews Malaprop Theatre at Incoming Festival
Show me the knottiness: Marc Pell’s gig-theatre show for nabokov doesn’t embrace its audience enough.
‘Bodies fold into each other only to be ripped apart’: Rachel Nouchi reviews Nederlands Dans Theater performing four works by Sol León & Paul Lightfoot, Marco Goecke, and Crystal Pite.
Be not afeared: Iris Theatre’s promenade production is fun, if you take the rough with the smooth.
Tiny gods for a moment… and the source of highly acidic shit: William Drew reviews lots and lots of pigeons.
Ebullient vitality and energy: J.N. Benjamin reviews Mufaro Makubika’s Nottingham-set play.