Youth and age, past and future: Verity Healey reviews Vinay Patel’s new play about an Indian couple and their route to London via Kenya.
Middle class problems: Francesca Peschier writes on Alexis Zegerman’s exploration of rules, religion, and cultural legacy.
A dress rehearsal for an ideal world: Nabilah Said reviews a musical about three generations of the same family.
The awkwardness of family dinners: Ava Davies reviews Stephen Karam’s Thanksgiving play.
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron’s play about 13-year-old competitive dancers.
Dealer’s choice: Brendan Macdonald on Ontroerend Goed’s interactive game about the world of banking.
No names, no regrets, and no refunds: Freddie Machin reviews Reuben Kaye and The Swizzle Boys.
Like Friends, filmed on the Moon: Josephine Balfour-Oatts reviews a new work about student debt and urban living costs.
‘The silliness, the fumbling, the mistakes’: Ava Davies reviews Company Three’s show about teenage love.
‘Raise a glass to theatre’: Ed Nightingale reviews the spoof version of Hamilton.
‘A celebration of the blood and guts’: Ka Bradley reviews Hofesh Shechter Company’s collaboration with over 100 young dancers.
Cloak and danger: Rosemary Waugh review Opera Holland Park’s revival of Mascagni’s version of the Lady Godiva myth.
Weighed down by human logistics: this immersive homage to Disney’s Fantasia is good fun, but limited by technology.
A bumpy ride: Frey Kwa Hawking reviews a new play about a meeting between different generations of comedians.
“Amazing what can happen when you don’t just programme white people” – Ava Davies on the humming energy of a show made by femmes of colour.