Order, order: Rosemary Waugh reviews Lucy Kirkwood’s new play at the National Theatre
A question of responsibility: Maddy Costa reviews Josette Bushell-Mingo performing at the Young Vic.
Let them eat cake: Brendan Macdonald reviews Oliver Cotton’s new play.
‘An injury to one is the concern of all’: Francesca Peschier reviews Kieran Hurley’s new show.
Maracas ’n’ all: Sally Hales reviews Matthew Dunster’s Mexican Much Ado About Nothing.
The isolation of the young and the lost: Gillian Greer reviews the 20th anniversary production of Enda Walsh’s first play.
Patties of human flesh: Hannah Greenstreet can’t get the smell of cooking meat out of her nostrils after Sarah Kosar’s “visceral, disgust-provoking” two-hander.
Raucous, colourful and exhilarating: Simon Gwynn reviews Matthew Dunster and Timothy Sheader’s al fresco adaptation of Dickens’ classic novel.
The price of buying a baby: Bridget Minamore reviews Vivienne Franzmann’s new play about surrogacy.
Going round the houses: Rosemary Waugh reviews Helen Edmundson’s play about the British monarch.
A very specific evolutionary niche: Ka Bradley reviews Figs in Wigs at the Battersea Arts Centre.
“The best theatre ideas are often remarkably simple”: Duska Radosavljevic watches some toddlers crawl about on a giant, animation-filled screen at Imaginart’s Sensacional.
Extraordinary risk, ordinary outcome: William Drew reviews the RSC’s bold collaboration with Imaginarium Studios.
Inspired by Klanghaus’s 800 Breaths, Maddy Costa embarks on a lyrical exploration of music in theatre.
Humans and history books: Rosemary Waugh reviews Taha at the Young Vic as part of the Shubbak Festival.