Molly Grogan reviews Ivo van Hove’s clinical study of Shakespeare’s power wars.
Seeing NYC’s streets through Edgar Oliver’s eyes. Joe Charnitski reviews.
Playwright Qui Nguyen merges a comic book aesthetic with his parents’ romance in a refugee camp
Molly Grogan reviews Yana Ross’ slow-burning study of loneliness in the age of hyper connectivity.
A 60 year anniversary does not a compelling revival make. Molly Grogan reviews.
Adam Bock sets us up, to better upend expectations. Loren Noveck reviews.
Tom Wicker reviews Daniel Alexander Jones’ ode to race, queerness and difference.
Kev Berry remembers “the greatest day of my life” with Taylor Mac.
Standup meets storytelling in this darkly funny solo show. Seth Simons reviews.
Katie Ebner-Landy reviews a show involving everything from popular science to aquatic birds and papier-mâché masks.
Martha Wade Steketee reviews a concept-heavy production of Helen Edmundson’s 1993 play about Cromwell in Ireland.
When God gets served his own existential hell. Molly Grogan reviews.
A slightly different Neil LaBute: Richard Patterson reviews the playwright’s latest work.
Molly Grogan reviews Romeo Castellucci’s autopsy of speech at Federal Hall.
Molly Grogan reviews Peter Brook’s distillation of The Mahabharata, scaled for today.