Joseph Charnitski reviews “actorvist” Keith A. Wallace’s solo reflection on the value of Black lives in America today.
Molly Grogan reviews a jewel in the rough from Nikki Appino and Saori Tsukada.
Molly Grogan reviews 600 Highwaymen’s invitation to be together.
Molly Grogan looks for possibility in endlessly repeating loops.
Manuel Cinema’s slide projection poetry dazzles. Molly Grogan reviews.
Jordan G. Teicher reviews New Yiddish Rep’s revival of this once “obscene” play.
Seth Simons reviews a problematic tribute to a problematic midcentury entertainer.
Joseph Charnitski reflects on sitting around a screen, listening to stories.
Cheek by Jowl’s bully king looks uncomfortably familiar in New York. Molly Grogan reviews.
Amy Brady reviews Peter Richards’ complex exploration of women’s sexuality.
Dan O’Neil reviews Dan LeFranc’s newest play.
In The Builders Association’s alt-Oz, Jordan G. Teicher discovers there’s no place like phone.
New play, Alligator, by Hilary Bettis tries to get into the muck of human relationships
The New Group’s revival of Sweet Charity breathes contemporary life into a worthy musical. Lane Williamson reviews.
You can’t go home again in Primary Stages’ revival. Alison Durkee reviews.